Showing posts with label Prison Memoirs. Show all posts
Showing posts with label Prison Memoirs. Show all posts

Wednesday, March 19, 2014

Great Rare Book Gifts For Recent Ex-Convicts

by Stephen J. Gertz

New York: Ray Long & Richard R. Smith, Inc., 1932.
First American Edition.
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What's the matter, friend? You say you just got out after 20,000 years in Sing-Sing for a penny-ante contretemps and all you got was a bus ticket and five bucks for a meal? You're à la recherche du temps perdu and you never got a keepsake to wistfully recall those halcyon days of yesteryear, not even a cheap gold watch?

Columbus: E.G. Coffin, 1899.

You heard the guys over at Ohio State Penitentiary can get a souvenir album when they graduate with photos documenting the highlights of their visit,


including the Bertillon system entry exam, which immortalizes the prisoner's serial number, name, county of conviction, admission date, length of sentence, crime, age, height, weight, complexion, forehead description, nose description, chin description, eye color, hair color, birthplace, occupation, any previous imprisonments, marital status, name and address of nearest friend or relative, any distinguishing features, etc.;


showtime with Ol' Sparky;


and a gallery of murderers hanged in the Annex?

Boston: Little, Brown & Co., 1933. First Edition.

You say you pine for those serene prison days and wild prison nights and wish you could read a "candid and surprisingly graphic account of prison life by a career criminal, with chapters on drug use, homosexuality, prison violence and gang activity, the author a fellow traveler in stripes who did long stretches at the Massachusetts State Prison in Charlestown and at Auburn Penitentiary in New York, and is described on the jacket copy as '...an articulate prisoner [who] possesses that rare gift among prisoners of writing impersonally on life in correctional institutions...truly in him the intelligent prisoner speaks and speaks with authority,'” the book rare in dust jacket, and a must read despite a mixed critique from Mrs. Grundy in the Saturday Review April 29, 1933?

"The method of of reproducing the conflicting attitudes of prisoners toward those in authority by using foul language of the prison yard has little to recommend it. Few will be surprised or shocked to read words that are in common use wherever men of average or less than average intelligence gather, whether it be in prison, in the army, in the navy, or in the smoking car. It is unfortunate that Nelson has thought that the verbatim recording of such discussions was necessary to simulate realism. This blemish on an otherwise well written analysis of prisoners may, and probably will, weigh heavily against the use of the book by schools, clubs, and other social groups"

Ossining, NY: Sing Sing Prison, 1916. Tenth Edition.

You gripe that at five a day you made 36,500,000 pair of shoes during your 20,000 years in Sing-Sing and now you're down in your heels in russian shoes - step in a puddle and the water rushin' -



- and a nice pair o' high tops ordered from Sing-Sing's catalogue of fine men's footwear would look swell and make you feel like a million bucks?

Philadelphia: Dorrance & Company, 1952.
First Edition.

You say you didn't even receive a copy of The Pen, Inc. (1952), a scarce novel of a wrongly-imprisoned ex-convict who leaves prison with a seething hatred of society and a wacko culinary money-making scheme, “convinced that society will not let an ex-convict go straight, he plans a criminal organization. In a blackmail attempt he is beaten up and shocked into conceiving the idea of The Pen - a big restaurant and nightclub, built to simulate a prison with stone walls, guards and cells for booths. Every employee, from warden to janitor, must be an ex-convict,” the book uncommon in the trade, with OCLC showing just six institutional holdings for this title?

Cincinnati, OH: Stewart Jail Works Co., n.d. [ca.1904-05]].
Special Catalogue No. 15-C.

And you yearn for the security you once knew, the home sweet home away from home that was yours for the best years of your life, and know that an early sales catalog from the good folks at The Stewart Jail Works Co. - “Jail and prison experts and manufacturers of steel cells and steel works, etc., for jails, prisons, and city lock-ups,” a fully illustrated catalog, devoted principally to iron and steel cells, cages, doors, window guards, etc., providing model numbers, measurements, and special features for each of their products, a well-known company, whose steelworks were used in facilities like the New Jail (Newport, KY), Onondaga County Penitentiary (Syracuse, NY), US Federal Prison (Atlanta, GA), and the Virginia State Penitentiary in Richmond, et al., and is a rare and early piece of prison ephemera with OCLC noting only two copies, at Columbia and Virginia Tech - will be necessary to order a personal slammer to set up in your back yard for brief, safe 'n secure vacations but you're stuck in a one-room dump with no mailbox over Satan's Hot Sauce factory, the ambient air is off the Scoville Scale, and your skin is peeling off in sheets?

Is that what's buggin' you, buddy?

Well, then, lift your head up high and take a walk in the sun with dignity and you'll show the world, you'll show them where to get off, you'll never give up, never give up, never give up - [two rimshots] - because the screws at Lorne Bair Rare Books have put together a fine collection of rare prison memoirs, histories, and related penology ephemera just perfect for the man with a record but little else who would like a little something to stir those precious memories of life in stir, no con.


Now scram, you dirty rat!
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With the exception of Cagney, all images courtesy of Lorne Bair Rare Books, currently offering the above items and related more, with our thanks.

Apologies to Eddie Lawrence, "The Old Philosopher." 
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Tuesday, October 18, 2011

The Houdini of Cell Block A

by Stephen J. Gertz


The notorious bandit Otto Wood (1895-1930) became something of a folk hero in the North Carolina mountains in the late 1920s when, following a conviction for killing a Jewish pawnbroker, he succeeded in escaping from prison no fewer than three times, thus earning the sobriquet, "The Houdini of Cell Block A." A Depression desperado, Wood was finally killed in a shootout on the streets of Salisbury, North Carolina in December, 1930, shortly after his final prison escape.

Despite an obligatory author's foreword expressing a wish that his story might "...help some fallen mortal to a higher life," Wood's narrative is refreshingly unrepentant, detailing a lifelong career of petty crime, vagabondage, moonshining, gambling, whoring and periodic incarceration. 

The twelve-page afterword to this edition, written anonymously, recounts the events that followed Wood's final escape, concluding with the Salisbury shoot-out. Wood's exploits were immortalized in Walter “Kid” Smith's 1931 ballad Otto Wood The Bandit, which ended each verse with the refrain: "...Otto, why didn't you run / when the sheriff pulled out that .44 gun?" The ballad was re-recorded in the 1960s by Doc and Merle Watson, and has since become a folk-music standard.

Step up, buddies, and listen to my song
I'll sing it to you right, but you may sing it wrong,
All about a man named Otto Wood,
I can't tell you all, but I wish I could.

He walked in a pawn shop a rainy day,


And with the clerk he had a quarrel, they say.

Pulled out his pistol and he struck him a blow,

And this is the way the story goes.

They spread the news as fast as they could,
T

he sheriff served a warrant on Otto Wood.

The jury said murder in the second degree,

And the judge passed the sentence to the peniteniary.

CHORUS: Otto, why didn't you run?


Otto's done dead and gone.

Otto Wood, why didn't you run

When the sheriff pulled out his 44 gun?

They put him in the pen, but it done no good,


It wouldn't hold the man they call Otto Wood.

It wasn't very long till he slipped outside,

Drawed a gun on the guard, said, "Take me for a ride."

Second time they caught him was away out west,


In the holdup game, he got shot through the breast.

They brought him back and when he got well,

They locked him down in a dungeon cell.

He was a man they could not run,


He always carried a 44 gun.

He loved the women and he hated the law,

And he just wouldn't take nobody's jaw.

He rambled out west and he rambled all around,


He met the sheriff in a southern town.

And the sheriff says, "Otto, step this way,

'Cause I've been expecting you every day."

He pulled out his gun and then he said,


"If you make a crooked move, you both fall dead.
 
Crank up your car and take me out of town,"

And a few minutes later, he was graveyard bound.
 
This is an exceedingly rare book in any edition. OCLC notes four copies in library holdings worldwide, recording a 1926 edition of forty-three pages and a 1931 edition of twenty-two pages. However, the present edition, with added matter and an afterword, is, apparently,  unrecorded by any OCLC member institution. 



Above, The Carolina Buddies (Walter "Kid" Smith and friends) perform Otto Wood, the Bandit,  recorded in NYC, NY on February 4, 1931.
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WOOD, Otto. Life History of Otto Wood. Inmate North Carolina State Prison 1926. Wadesboro, NC: Pee Dee Publishing Company, 1931. Posthumous (second?) edition, complete, of a virtually unobtainable Southern outlaw narrative. Significantly expanded with photo-illustrations and a twelve page afterword.  Twelvemo (19.5 cm). 62 pp,  three leaves of half-tone photo-illustrations. Staple-bound pamphlet with original photo-illustrated wrappers.

Thornton, A Bibliography of North Carolina 1589-1956, 15354. Not in Suvak, Memoirs of American Prisons: An Annotated Bibliography.
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Image courtesy of Lorne Bair Rare Books, with our thanks.
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