Showing posts with label Rare Toys. Show all posts
Showing posts with label Rare Toys. Show all posts

Wednesday, October 10, 2012

An Automaton ala Lothar Meggendorfer

by Stephen J. Gertz



An exceedingly scarce Schoenhut automaton, c. 1890-1900, in full working, unrestored and fine condition - with its original key, yet - featuring illustrated figures in a comic situation typical of movable book master Lothar Meggendorfer has come onto the market.

The scene depicts a tailor sitting at his table with his legs crossed, drowsily stitching a garment while nodding off. To the left, a rascal apprentice also sits at the table with his legs crossed stitching a garment. All of a sudden he sneezes and pricks his dozing master with a sewing needle while his companion apprentice looks on and stops ironing in anticipation of the stab. The tailor jerks awake at the pinprick, but soon dozes off again and the cycle begins anew.

Schoenhut automata have become insanely difficult to find;  I'm aware of only one other coming into the marketplace within the last ten years. As might be easily imagined, automata for children did not endure their enthusiastic play any more than movable books easily survived the eager little hands that mauled them.

Albert Schoenhut (1848-1912) was born into a toy-making from Wurtenberg, Germany; his father and grandfather made dolls, rocking horses, and wagons. As a boy Albert was a toy-making prodigy. His toy pianos were more than just, well, toys. They stayed in tune.

In 1866, a buyer for Wanamaker’s, the famous Philadelphia department store, heard about the wunderkind of Wurtenberg and hired the seventeen year old as a repairman of glass sounding pieces in German toy pianos that had been damaged in shipping en route to Philly.

In 1872, Schoenhut left Wanamaker's to establish the Schoenhut Piano Company on Frankford Avenue in Philadelphia. As his toy piano business prospered, Shoenhut added other toy instruments to his line and expanded it to include dolls, circus figures, toys, and, as here, automata. By 1901, the firm had 125 employees making novelty toys.

By the time of Albert's death, Schoenhut Piano Company was the largest toy company in the United States and the first in the U. S. to export toys to Germany; up until then it was the other way around. 140 years after its founding it is still active as a maker of toy pianos, though, after multiple changes in ownership since Schoenhut's death in 1912, its archives have been scattered and all records of their vintage automata are, alas, lost.

As a result, it is unknown whether Schoenhut copied existing Lothar Meggendorfer designs or had an employee finely imitate the great Meggendorfer's style.
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[AUTOMATON]. [“The Tailor and His Two Apprentices”]. [Philadelphia: Schoenhut, n.d. c. 1890-1900]. Boxed automaton. Image size: 11 1/2 x 15 1/2 inches; 293 x 395 mm. Box size: 13 5/8 x 17 5/8 x 5 1/8 inches; 345 x 447 x 130 mm. Schoenhut blue trademark label to rear.

Three cardboard figures in original paper-covered wooden box, with glass cover and gold-painted metal frame. A sliding panel on the back of the box reveals cardboard parts moved by clockwork mechanisms, which can be wound up with the original metal key.
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Videography by Dustin Jack and courtesy of David Brass Rare Books, with our thanks.
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Tuesday, January 4, 2011

Fun-O-Rama with Late 19th Century Cycloramas

Low-tech home theater entertainment was all the rage in the late 19th century.

by Stephen J. Gertz


Voyage en Afrique. Cyclorama en 22 tabeaux.
Paris, c. 1890 - 1900.
39 x 33 x 10 cm.
Manual crank at rear of box.

In the second half of the nineteenth century the development of photography and animated imagery stimulated the creativity of game and toy makers. With Magic lanterns, dioramas, shadow theaters, praxinoscopes, phenakistiscopes, polyoramas panoptiques providing inspiration all manner of optical amusements fabricated with  paper, cardboard,  and wood, and operated with varying degrees of simple mechanics, were offered as home entertainment for children and adults to enjoy.

Cyclorama boxes were amongst the most spectacular of these during the era, featuring magnificent, often chromolithographed scenes on a single sheet of paper mounted on a spool with a mechanical crank that when manually turned unrolled the scenes, either vertically or horizontally, each appearing behind a static, chromolithographed proscenium which, in some examples, had fold-out wings that when opened up simulated a full, immersive theatrical  view.

Voyage en Afrique with extended wings.

The typical cyclorama box of the period featured subject matter involving exotic travels, fantastical or actual, always curious, and definitely outside of the average person's experience. Novelty was the overarching theme.


DACIER, Mauclair (editor). Voyage autour du monde
par un petit Français. Paris, 1905.
50.5 x 40.5 x 8.3 cm.
Twenty-two tableaux.
Note crank at lower left.



These rare cycloramas, each surviving in incredibly fine condition - most unusual with paper-built amusements that were heavily used - are being offered by Paris-based Librairie Thierry Corcelle, a specialist in rare books, games, and toys, in Catalogue No. 52, Winter 2010 - 1011.

Un Voyage au fond de la mer.
Paris: L. Saussine, Editeur, 1890.
50 x 38 x 9.5 cm.
Inspired by Jules Verne's
20,000 Leagues Under the Sea.
Cranks at left top and bottom.



Amongst the catalogue's other thirty-three "marvels to drive lovers of such wild" is a set of late-nineteenth century marionettes, each made in Sicily, Naples, Liège, or Brussels. In a stroke of delightfully sly and subversive humor or otherwise, Corcelle features one of the two Orlando furioso marionettes on the catalogue's rear wrapper.

("Succhiare me cazzo, stronzo!")

Furious, Orlando appears to sharply riposte an offense with an obscene gesture, an unintentional happy accident the result of the loss of the mad Italian cavaliere's accompanying sword.

For Booktryst readers who are devoted foodies Corcelle is making a gastronomic offer that can't be refused:

LORIOUX, Felix. Project menu (1830).
Watercolor heightened with gold, 20 x 18 cm.

Bon amusement et appétit à Booktryst loyalistes!
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All images courtesy of Thierry Corcelle, with our thanks.
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