Showing posts with label California Antiquarian Book Fair. Show all posts
Showing posts with label California Antiquarian Book Fair. Show all posts

Monday, February 15, 2010

Governor Schwarzennegger and I Compare Calves

LOS ANGELES. Governor Arnold Schwarzenegger officially opened the 43d California International Antiquarian Book Fair on Friday night, February 12, 2010, along with First Lady, Maria Shriver, during a small ceremony intensely covered by the media. Excusing himself immediately afterward, he promised “We’ll be back” to check out the rare books.

Oh, how I wanted to write that lead. A loose-cannon member the Southern California chapter of the Antiquarian Booksellers Association of America (ABAA), the book fair’s sponsoring organization, had, unilaterally and without consulting his colleagues, formally invited the governor to open the Fair to draw press and public attention. The Governor’s scheduling office sent their regrets but with the his wish for a successful event.

The Governor and First Lady returned to the Fair after a quick dinner at Schatzi, the Governor’s restaurant on Main Street in Santa Monica that closed in 2007. They met with an old and dear friend, a member of the local ABAA chapter, who walked them around the Fair and helped the Governor’s security people shoo flies away. It was, reportedly, a delightful reunion; the Governor and his rare book-selling friend had not seen each other for thirty-five years.

I met Arnold in 1975, before he became SCHWARZENEGGER! and was known merely as The Austrian Oak, the most successful bodybuilder in the sport's history, and on the cusp of fame with the general public; Pumping Iron, the acclaimed documentary based upon Charles Gaines' and George Butler's book of the same name, would soon be released (1977) and introduce the world at large to the large world’s superstar in all his glory.

Andy Meisler, a friend and free-lance journalist, was in L.A. on assignment for Sports Illustrated to write a profile of Arnold, who was training for the Mr. Olympia contest, bodybuilding’s top crown. It would become Arnold’s sixth, of seven, wins.

Andy, Kate "The Great" Schmidt - the 2-time Olympic bronze medalist in women’s javelin and world record holder whose American record still stands thirty-three years after she speared it - and I, an amateur boxer with Olympian fantasies, met Arnold at Gold’s Gym - the original, and one and only, on Pacific Avenue in Venice.

The Governor and his friend were, at one point, observed in heated discussion. Though it was unclear exactly what was said and who said it, the words “girly calves” were overheard.

Arnold was in the midst of his workout, cranking out seated lat-rows with the entire weight stack as resistance. He was focused, subdued, and intense. He perspired charisma. Warm introductions were exchanged, and he returned to work, finishing up his morning routine (he worked in split sessions, morning and afternoon). The four of us then walked down to The Brown Bagger, a small restaurant on Washington Street near the beach in Venice, now long gone.

While Arnold ate the entire menu (or so it seemed) we talked and kibbitzed. Arnold, just a few years older than us, was relaxed, centered, low-key, and completely at ease. Arnold Schwarzenegger is not a loud, boastful individual; he doesn't need to be. He asked each of us about ourselves and what we were doing. Kate’s Olympian experience and bronze from 1972 (the bronze in ‘76 on the horizon) and my sport of choice piqued his interest and respect. As I recall, he and I got along very well; Arnold did not have to assume the role of pysche-out king as he customarily did with friends and acquaintances who were also competitors. He had an easy smile and laugh, and was very sharp. He answered Andy’s questions thoughtfully and without cliche. He was supremely confident but not obnoxious; he handled himself well and was charming. It was impossible to not like him.

What was most impressive? He was, if not intellectual, clearly very intelligent. At this early stage of his life, before he was earning serious money as an actor, he, through bodybuilding product endorsements, had earned enough and was frugal enough to buy property in Santa Monica before its redevelopment and renaissance along Main Street. He was destined, through hard work and well-developed business smarts, to become wealthy no matter what he later did.

He never knew during our meeting that surrounding my tibias were the greatest set of gastrocnemius, soleus and peroneus muscles to ever grace a man’s lower legs, calves strictly Grade-A, prime milk-fed veal. In an otherwise flawless bodybuilding physique, calves were always Arnold’s weak point and his posing angles tended to mask or downplay the deficit south of patellas, north of tarsals.

No, he never knew that not one but two two former Mr. America and Mr. Universe title-holders, Dennis Tinerino and Reg Lewis had, independently of each other, declared that I was an awe-inspiring Mr. Universe - from the knees down.

The Governor and his friend, near blows, were parted by the First Lady who suggested that they retire to the nearest mens room to settle the argument. She did not wish to see the man she loved and the man she recently spurned resort to physical conflict.


Last year, while cataloging a small archive of Dr. Doolittle author, Hugh Lofting, I came across a few letters written in 1938 to the novelist and his publisher by the president of Yale University’s Dr. Doolittle Club, Sargent Shriver. Thinking that she might enjoy learning of the existence of these letters I wrote a note to the First Lady detailing my find and enclosing copies of them. I received a very warm reply thanking me, my soft sales pitch, apparently, so soft, subtle and nuanced it was completely missed.

The two men entered the men’s room on the California level of the Century Plaza hotel, where the Book Fair was in progress. With armed security posted at the door, the men’s privacy was assured. Fortunately, however, a member of Book Patrol’s intelligence unit had previously installed bugs in the bathroom in the hope of collecting rare book gossip.

A year later, my Olympics and otherwise boxing dreams down for the count, I was at loose ends, working in a health club and had begun to seriously lift weights. So, WTF, I decided to do some competitive bodybuilding. In the 1976 Jr. Mr. Southern California contest, held at the Glendale Civic Auditorium, I did not win, place or show in this entry-level affair; compared to everyone else (the Weider brothers had thrown in a few ringers to qualify for the upcoming Mr. America competition), I looked like dental floss with legs. But oh, my calves! During the legs pose-down amongst the finishers, I was called out to pose as the standard by which their lower legs would be judged. It was a magic moment, my calves swollen with pride. The rest of me just felt silly.

Around six months later, I ran into a guy who’d competed in a few bodybuilding contests and was totally into it. I told him my monster, highly defined and cut-up calves story. Turns out, he had attended the contest.

“Jeez,” he said. “You’re the one, the guy with the Martian calves. A few of us talked about 'em afterward for a couple of days. Boggling. From another world."

“For months and months I heard the stories but I had no idea that it was you everybody was talking about. I thought: urban legend! What did you do, model for Grey when he was writing his Anatomy? Mein Gott, such long insertions and bulk! And cut like diamonds, the definition of definition! How did you do it?”


“Arnold, Arnold, Arnold. Still competitive after all these years. Relax, we’re both long past our prime.”

“But I have to know, I have to know!”

“Okay. One, my DNA was generous in that department. Two, as you well know, you have to hit the calves hard to get them to respond, super-high reps. It was the boxing, all the running, fast, up on my toes, and rope-skipping, again, up on my toes. That’s the secret. But if, like you, there’s not much to work with, all the running and rope-skipping in world won’t turn your calves into blue-ribbon Holsteins.”

“I’m crushed.”

“Deal with it, buddy. Hopefully, better than with the California legislature.”

“I’ll be back.”

“Hasta la vista, baby. Say goodbye to Maria for me; you're the luckiest man on the planet.”

“Tell me.”

If you go down the list of Sports Illustrated’s Top 100 Sports Books of All Time you will see books by Norman Mailer, Paul Gallico, Philip Roth, Budd Schulberg, Jimmy Breslin, Grantland Rice, Thomas Hauser, and Joe McGinnis, amongst other great American writers on sports or otherwise.

Their books are ranked below Arnold’s Education of a Bodybuilder (Simon and Schuster, 1977), a textbook on mental discipline and toughness, deep focus, concentration, goal-setting and achievement. It is only nominally about bodybuilding. Fine copies of the first edition, first printing in hardcover in like dust jacket are not easy to find. There are a few signed copies of the trade paperback and hardcover but they are either later printings or have condition issues.

Pumping Iron by Charles Gaines and George Butler (Simon and Schuster, 1974) was the book that brought bodybuilding out of the shadows and Arnold into the limelight. The most desirable copy to collect would be, presuming it exists, Arnold’s personal copy inscribed by Gaines and Butler. Copies formerly owned by strangers but signed by the authors are fetching up to $500. The movie (1977) based upon the book brought Arnold to wide public notice.


Many moviegoers are likely unaware that after the embarrassing Hercules in New York (aka Hercules Goes Bananas, 1970) and before he became an action- movie star, Arnold Schwarzenegger appeared in a truly excellent film directed by the great Bob Rafelson, Stay Hungry (1976), based upon Charles Gaines' novel (1972). Though not the star of the film, it pivots on him. It is a quiet, gently confident and assured performance. While he may have later left his acting chops in the dressing-room trailer, in Stay Hungry Arnold acts, and does so with graceful ease. It remains his best performance.


The most desirable copy of Pumping Iron currently being offered is a very good copy of the trade paperback edition signed by the authors, Arnold, and every single member of the cast, including Jeff Bridges and Sally Field. The asking price is $695.

“One last thing, Steve.”

“Anything, Arnold.”

“Please don’t tell anyone about this. I have a reputation to maintain.”

“Your secret’s safe with me. Your puny calves shall remain hidden beneath your pants.”

But hey, my closest friend in the world who I only met once for a few of hours thirty-five years ago, gave me the bum's rush when I invited him to open the 43d California International Antiquarian Book Fair. Is that any way to treat an old, dear friend?

The knee socks are off.

Eat your heart out, Governor Schwarzenegger. From 1975 - c. 1976 3/4 I was Mr. Universe - from the knees down. And you? Girly calves!

Observe short gastrocnemius muscles (r),
and calves too small in proportion to thighs and torso (l).
It should be noted that while I was massive below the knees I was, by bodybuilding standards, missing above them, three pumped and plumped toothpicks providing the only evidence of my arms' and torso's existence.

Sic transit gloria muscle. Et tu, Guv?

Tuesday, February 2, 2010

Books Into Best-Picture Oscar® Winners To Highlight 2010 California Antiquarian Book Fair


LIGHTS! CAMERA! ACTION! BOOKS!

Embracing great books into great movies, the 43d California International Antiquarian Book Fair promises to be the most exciting yet. We in the Southern California chapter of the Antiquarian Booksellers Association of America (ABAA), the Fair’s sponsoring organization, have been working overtime to present Fair-goers with an exhibit to knock socks - or bindings - off.

From Author to Oscar® is the theme for this year’s Special Exhibits, highlighting great books that became great Best Picture Academy Award®-winning films. We’ll be exploring the journey a book makes to the big screen, focusing on the important role that literature has played in providing Hollywood with strong, interesting plots and characters to draw upon. The majority of Best Picture Oscar® winners have been based upon literary works, and rare, first edition copies of each volume will be showcased in the exhibit, along with a selection of unique associated items from the Academy of Motion Picture Arts and Sciences’ (AMPAS) Margaret Herrick Library.

The ABAA routinely works with distinguished libraries across the country but this is the first time we’ve had the pleasure of making the Margaret Herrick Library’s acquaintance. The Academy of Motion Picture Arts and Sciences was most gracious in accepting our request for assistance, and generous: There are items on loan from the Academy’s archives that have never been seen by the general public, each item focusing on the symbiotic relationship between books and film.

As the guy who spent six hours sifting through photos and documents with the Library’s acquisitions archivist I can tell you that, while there may not be any shock, there will definitely be awe in those who attend the Fair and see the exhibit. Afterward, I required an ice-pack over my peepers to get the goggle-eyes back down to size.

A few highlights:

• Photos of the cast of From Here To Eternity (Best-Picture 1953) posing with novelist James Jones, a copy of the book in his hands.

• Photo of Alfred Hitchcock at his desk, working on his screenplay for Rebecca (Best-Picture 1940), his copy of the book opened for reference.

• Letter from Lost Weekend novelist, Charles Jackson, to Lost Weekend (Best-Picture 1945) screenwriter, Charles Brackett, damning him and director, Billy Wilder, for changing the ending of the book, then proffering his own five-page re-write.

• Letter from Raymond Chandler to Charles Brackett congratulating him for his great script for Lost Weekend (Chandler knew a thing or two about drinking).

• Numerous examples of how during its Golden Age Hollywood relied on the source book to sell the movie to audiences.

• And much more.

I could go on but the Fair’s publicist is looking over my shoulder with a Glock .45 pointed at my ear lest I spill to much too soon. (Somewhere, a publicist is smiling. I hope.).

Rare poster for Rebecca on exhibit. Note how a book is used
in the design to promote the movie.

Why the emphasis on books into film? Simple. All movies begin on a page of paper, whether an original screenplay or one adapted from a book. From the early days of silent films, movie studios routinely adapted great novels to the screen to capitalize on their classic or best-selling status and familiarity with audiences. Classic dramatic and adventurous plots and characters from novels were brought to life on the silver screen, prose into pictures in motion that moved.

Indeed, during the Golden Age of Hollywood, movie studios - as will be demonstrated in the exhibit - exploited the original book for all marketing and advertising purposes: At the time, though movies were more popular, books were the most prestigious medium in American culture and studios sought to exploit that prestige for the gloss of class it provided. It was an era when novelists were at the apex of their importance in the cultural landscape. It is an era that has vanished.

But while studios no longer depend upon the original book to spearhead their promotional efforts, novels and great non-fiction works continue to be adapted to film simply because there is no substitute for a great story, well-told, with complex, flesh-and-blood characters. Whether ultimately Best-Picture winners, nominees, or otherwise, all movies begin with the word, and the word, as often as not, is Books.

The exhibit can be viewed throughout the entire weekend of the Fair, February 12-14, 2010 at the Century Plaza hotel in Los Angeles.

To accompany the exhibit, on Saturday, February 13 at 3PM, the book fair will host a panel discussion featuring esteemed Los Angeles Times film critic, Kenneth Turan; rare cinema and books -into- film dealer-specialist, James Pepper; and Kevin Johnson of Royal Books, whose lovingly produced, two-volume book, The Dark Pages: Books That Inspired American Film Noir, has become an essential reference.

The Writer’s Guild of America - West is assisting us in recruiting a screenwriter to join the panel discussion. We hope to have word soon.

The Book Fair Committee scraped the bottom of the barrel to find someone to moderate the panel and succeeded: I’ll be your host for the discussion. My qualifications? I was sick a lot as a kid and read a lot of books and watched a lot of movies on TV. This eventually led to my becoming Executive Story Editor at a major production company during the early 1980s. That company is now defunct. Draw your own conclusions.

The California International Antiquarian Book Fair is now the largest rare book fair in the world. This year, we have 180 dealers from around the globe exhibiting some of the best, rarest, and just plain coolest books on the planet, across every imaginable subject area.

If you love books and you love movies don’t miss the Fair this year.

But if you can’t make it, stay tuned to Book Patrol for the most comprehensive coverage of the 2010 California International Antiquarian Book Fair. We’ll be devoting all our attention to reporting on what’s going on, book highlights, exhibit and panel activities, etc.. And we have a secret weapon, a mole within the SoCal chapter of the ABAA, one of its officers, exhibit organizers, and firm exhibitors to pass along insider info.

The mole is half-blind, furry, prefers the underground, and avoids direct sunlight: I’ll be passing along the shhhh!, strictly confidential, exclusive scoops to myself. Then to you.

________

For full schedule and hours, ticket information, and more, log on to the 43d California International Antiquarian Book Fair website.
Hot line: (800) 454-6401.
_________

Important Notice: The opinions expressed by me on Book Patrol are not those of the Antiquarian Booksellers Association of America, nor should I be considered its spokesperson.
 
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