A Biblio-Pig To Serve Your Book Needs

by Stephen J. Gertz

Fetch me Moore's Porcine Husbandry, Biblio-Pig.
That's a good boy. Bring it here.

I like pigs.
Dogs look up to us. Cats look down on us.
Pigs treat us as equals  

(Winston Churchill)

Lew Jaffe, The Man With the Bookplate Jones, is holding a contest on his blogsite, Confessions of a Bookplate Junkie, to seek from collectors the most interesting bookplate featuring an animal. The example above is entry No. 8, starring a pig who we shall call Murgatroyd as personal book servant/librarian. Currently in progress, the competition will run through midnight, EST, New Years Eve 2013. Entries must be from your own collection with only one entry per person.

All animals, real or cryptids, are eligible, including unicorns; Nessie; Sasquatch; the Brosno Dragon; Malambo, the face-eating brain-sucker; the Abominable Snowman; Manananggai, the scourge of the Philippines who preys upon pregnant women and sucks the blood from their fetuses; the Minhocão; the Mongolian death worm; the elusive Chupacabra; Bandersnatches; the Cheshire Cat; Marsh-wiggles; Mel, the kosher Jubjub bird absent from Lewis Carroll's Jabberwocky because it was published on Yom Kippur and Jewish Jubjubs take that very seriously; Hobbits; and the Sunda Colugo, which is a real animal, the nocturnal Flying Lemur of Malaysia that does not fly and is not a lemur but spreads its patagium to glide from tree to tree and is not to be confused with Cynocephalus volans, the Philippine Flying Lemur, which also doesn't fly and isn't a lemur but whose flesh is considered a delicacy among Filipino gourmands who eschew Manananggais for obvious reasons.

The Grand Prize winner will receive a copy of They Call Me Naughty Lola: Personal Ads From the London Review of Books by David Rose, which documents the unusual mating calls of  book-obsessed animals seeking a Malambo for companionship, cuddles, and pas horizontales de deux with mutual face-eating.
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Image courtesy of Lew Jaffe, the Bookplate Junkie, with our thanks.
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Of Related Interest:

Authentic G. Washington Bookplate Comes To Auction. 

Virginia Library Serves Up Bookplate Special.

Bookplate Special On Menu At Bonham's
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A Bonet Lion Binding That Roars

by Stephen J. Gertz

This majestically leonine binding wrought by Paul Bonet [1889-1971] in 1969 for a copy of the 1937 Raoul Dufy-illustrated edition of Daudet's Les Aventures prodigieuses de Tartarin de Tarascon (Paris: Scripta et Picta) is being offered by Christie's-Paris in their Importants Livres Anciens, Livres d'Artistes et Manuscrits sale on Monday, October 29, 2012.

It is estimated to sell for $14,000 - $20.000 (€10,000 - €15,000).

Based in Paris, Bonet was one of the great bookbinders of the twentieth century.

"Paul Bonet does his designing in his apartment on the Rive Gauche and in 1938 had an atelier where workmen carried out his designs under his supervision. [He] evolved an entirely new style of book decoration - totally original, amazingly clever, and really 'modern' in spirit, with a mouvement radiant. His great swirling designs are so ingeniously drawn that, although they are carried out on a flat surface, they represent a third dimension purely through an illusion created by the drawing, and not by means of an alteration in the surface of the cover as was practiced by Creuzevault. The tooling on his bindings is faultless and brilliant. It has a machinelike precision with a quality that can only be achieved by 'striking' each tool separately by hand. Paul Bonet, in my opinion, is without a rival today" (Diehl, Edith. Bookbinding: Its Background and Technique [1946], p. 108).

When the king of beasts met the king of binders the result was a victory for both.

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Images courtesy of Christie's, with our thanks.
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Booktryst has 32 great posts on fine bookbinding in our archive. Enter "bindings" in our search box to access them all.
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Unrecorded Arthur Rackham Drawing Found in Unrecorded Louis Wain Edition

by Stephen J. Gertz

Anytime an unrecorded book illustration by Arthur Rackham comes to light, it's news. 

Buried within Cats At Play, a book illustrated by, amongst others, cat artist, Louis Wain, is an unheralded black and white text illustration, on page forty, of four chickens in various states of distress as they observe, in high dudgeon and with no little annoyance, a cat within their food bucket chowing down the chicken feed. This is commonly known as kitty chutzpah. And at the lower left of the bucket, as small as can be, are Rackham's initials as typically drawn. 

Latimore and Haskell, and Riall make no mention of this illustration in their Rackham bibliographies, and it was unknown to the Arthur Rackham Society when we inquired.

This edition (the copy I handled with a school prize label dated December 22, 1904), is, in the absence of contradictory evidence, the true first and unrecorded, with no copies in institutional holdings worldwide. It is not noted in Rodney Dale’s Louis Wain: The Man Who Drew Cats, nor in Ellery Wood’s bibliography within Dale. As noted above, it was certainly unknown to  Latimore & Haskell, and Riall. 

Note Rackham's "AR" at base of bucket, left.

At the time of this book's approximate publication, Rackham had already had work published, mostly under his name with credit on the title page, providing single or multiple illustrations for, amongst others, To the Other Side (1893); Isis Very Much Unveiled (1894); The Dolly Dialogues (1894); The Zankiwank (1896); The Money Spinner (1896); Two Old Ladies... (1897); Captain Castle (1897); Through a Glass Lightly (1897); Charles O'Malley (1897); The Castle Inn (1898); Evelina (1898); The Ingoldsby Legends (1898); Gulliver's Travels (1900); Faithful Friends (1901); More Tales From the Stumps (1902); The Grey House on the Hill (1903); The Greek Heroes (1903); Red Pottage (1904); and The Peradventures of Private Pagett (1904). 

That Rackham would accept a commission to provide a single text line drawing to this book with no more credit than his microscopic initials should not come as a surprise. Rackham was hustling for work wherever he could find it; good reviews and regular exposure were not enough to keep him fully employed with money in his pocket. And none of the other illustrators for the book received credit beyond their initials or full signatures to their contributions.

And so we have a previously unknown Rackham during his transitional period, when his fairies and goblins were emerging but had not yet fully vanquished the simple, pay-the-bills work of his early years.

This book was later issued by Blackie & Son, 1917, and Alexandria Publications, c. 1920, in what appear to be abridged editions; the Blackie & Son edition collates to only twelve pages. It is unknown to me whether these later editions contain the Rackham drawing.

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WAIN, Louis. RACKHAM, Arthur. SMITH, H. Officer. GLADWIN, May, et al. Cats At Play. London: John F. Shaw, n.d. [c. 1900-1904].

First edition, unrecorded and scarce,. Small quarto (9 5/8 x 7 1/8 in;  245 x 180 mm). Illustrated throughout in black and white and color, with fifteen drawings by Louis Wain, and an unrecorded text drawing by Arthur Rackham (so initialed) on page 40.

Publisher's pictorial boards. Beveled edges. School prize label to front paste down endpaper dated Dec. 22, 1904. 160 pp with  advertising as endpapers.

Cf. Wood 34 and 35, as recorded in Dale, Louis Wain: The Man Who Drew Cats, p. 137.

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Of related interest:

Two Very Rare Books For Cat Lover's Only (A Naughty Story).

The Riddle of Arthur Rackham's "Faithful Friends" Solved?

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Images courtesy of David Brass Rare Books, with our thanks. The book sold instantly.
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Monster Smackdown: The Trojan Horse Vs. Godzilla At Cornell Library

By Nancy Mattoon

A Japanese historical magazine,
which singles out the birth of Godzilla
as the signature event of the year 1954.
(All Images Courtesy of Carl A. Kroch Library.)

Man has a long history of creating "famous" animals. Some are mythical or literary, like the Minotaur or Toto. Others are real animals, elevated to celebrity status like Rin Tin Tin, or more recently, Internet sensation Maru the Cat. A fascinating new exhibit at Cornell University's Carl A. Kroch Library uses rare books, manuscripts, photographs, and artifacts to explore "how and why humans choose to elevate certain individual animals or species to the status of divinities, emblems, mascots, heroes, or celebrities."

Woodcut Illustration From:
Opera Virgiliana. Lyon: Crespin, 1529.

Animal Legends: From the Trojan Horse to Godzilla is an elephantine display of serpentine complexity. It is divided into five major sections, corralling creatures from ancient times to modern, including the menagerie rescued from the Biblical Flood by Noah, Ulysses's "noble hound" Argos from Homer's Odyssey, E.B. White's web-spinner Charlotte, and even canine cosmonauts Belka and Strelka, two of the first living creatures to orbit the earth for an entire day. It is inspired in large part by the pioneering work of French cultural historian Michel Pastoureau, who in his book Les Animaux Célèbres, maintains that our intense attraction to wonders of the animal kingdom comes from the simple fact of "how difficult it is to be human."

Barrie G. James. The Trojan Horse:
the Ultimate Japanese Challenge to Western Industry.
London: Mercury Business Books, 1990.

The first section of the display, Tales of Destruction and Rebirth, begins with an examination of the Trojan Horse. The exhibit notes that the wooden equine giant, filled with soldiers, "may have been a siege machine." But "in any case, the tale was made hugely popular by Virgil’s Aeneid, and by innumerable pictures and films." Books and ephemera dating from 1529 to 1990 reveal the staying power of this "metaphor for political tactics of infiltration," and the show reminds us that the horse's most recent incarnation is as "the name of a destructive computer application."

Poster for the American Version of
La Guerra di Troia, 1961.

The rare books and ephemera in the show providing images of the Trojan Horse are a great indication of the huge range of the exhibition. The section begins with Opera Virgiliana (1529), which features two hundred woodcut illustrations for the poems contained in the Eclogues, the Georgics and the Aeneid. After that beauty is the 1664 "pocket edition" of the works of Virgil from the Elsevier family of Dutch booksellers, publishers, and printers. Up next is a garishly kitschy poster for the big-budget 1961 "sword and sandal" motion picture epic, La Guerra di Troia. Following on the heels and hoofs of the horse opera, is a presentation copy of Archibald MacLeish's The Trojan Horse: A Play (1952), inscribed to Cornell English Professor Arthur Mizener. Finally an alarmist business book from 1990, The Trojan Horse: the Ultimate Japanese Challenge to Western Industry, by futurist Barrie James, closes out the wildly eclectic selection.

Poster for Gojira.
Japan: Toho Ltd., 1954.

One of the largest sections of the show is called From Farm To Screen. Creatures covered here include E.B. White's super-mouse on a road trip, Stuart Little, Disney stalwarts Mickey Mouse and Donald Duck, and the pop culture star attraction of the exhibition, mass media "mon-star," Godzilla. The exhibit notes that unlike the "carefree escapism" offered by Disney's cartoon critters, "Godzilla, a primitive, destructive force awakened by the excesses of modern science," plays "on the darker aspects of human fears and repressed desires." But the subversive appeal of the unstoppable King of Chaos cannot be denied: "Godzilla has starred in 28 feature films produced by the [Japanese] Toho Film Company, as well as two American remakes, and has also appeared in television series, novels, comic books, video games, songs, toys and countless commercials and advertisements."

A Pictorial Box Set of
Five Godzilla Films in Translation.
Japan: Toho Ltd. and Anchor Entertainment, 1997.

Animal Legends: From the Trojan Horse to Godzilla presents a terrific introduction to a cultural phenomenon that deserves much more serious study. The animal kingdom is an important part of the collective iconography of every culture that has ever existed across the centuries, and throughout the world. And, as the exhibit points out, "All human societies have reserved a mythical or allegorical place for...extra-ordinary animals, 'fictitious' or 'real,' from the most ancient myths of origin to the most recent scientific discoveries." As mankind's environmental expansion continues to encroach upon what used to be the domain of the animal kingdom, the time to reflect upon its cultural importance is now.

Poster for Godzilla, King of the Monsters!.
Japan: Toho Ltd. and Jewell Enterprises, 1956.

Animal Legends: From the Trojan Horse to Godzilla continues through September 30, 2011 at the Hirshland Exhibition Gallery of the Carl A. Kroch Library of Cornell University. A terrific online exhibit has been created to those unable to visit the Ithaca, N.Y. campus.

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