Unrecorded Philip K. Dick Archive Surfaces

by Stephen J. Gertz

Once again, Phil, you've come up with some memorable descriptive lines in this book -- two stick in my mind: something that smelled badly "as if the skins of dead dogs were drying somewhere, on a line," and "gray and fragile, like wounded mice." Wonderful.  (Larry Ashmead).

An archive of Philip K. Dick's 1970 novel, A Maze of Death - arguably his darkest and most violent work, an exploration of the death instinct and the human capacity for murder, and, as in much of Philip K. Dick's world, inquires into the conflict between reality, perception, and identity - has come to market. It includes the final, holograph-corrected typescript. The asking price is $28,500.

Manuscript material by Dick of any sort is scarce in the marketplace. Most of the author's papers are housed at California State University where they were donated by him in 1972. A smaller cache rests at the Browne Popular Cultural Library at Bowling Green State University in Ohio (which includes a manuscript draft of Maze of Death). As a result, whenever any archival collections of the author appear for sale it's a major event. This archive seems to have been lost in an alternative reality until now.

First edition.

"His job, as always, bored him. So he had during the previous week gone to the ship's transmitter and attached conduits to the permanent electrodes extending from his pineal gland" (from A Maze of Death).

That's what I do when consumed by ennui.

In A Maze of Death, Ben Tallchief hates his inventory-control job so he prays, the conduits from his pineal gland transmitting his prayers to a relay network which sends his plea throughout the galaxy. He hoped it would reach one of the God-worlds. It, apparently, worked; he was transferred to Delmak-O, a harsh and strange off-world colony largely unexplored. There, he joins thirteen other colonists. Soon, six of the colonists either commit suicide or are murdered under mystifying circumstances.

Per usual with Philip K. Dick things are not what they seem. The survivors realize that they are each criminally insane, had murdered the others, and have been a part of a failed psychiatric experiment in rehabilitation. Oh, and that Delmak-O is actually Earth. Ultimately, their entire experience is discovered to be an exercise in virtual reality and hallucination; they are trapped within a program designed to help them endure their fate; their space ship is stranded in orbit around a dead star and they have no hope of rescue. Within the program a computer-generated religion and deity provides solace.

But Dick, who in this novel began to explore theological themes, doesn't let it go. The god of Delmak-O - the Intercessor - bleeds out of the virtual world and into the real to spirit away one survivor from the doomed ship, leaving the others to continue their hallucinatory existence until they die.

"A but of explanation on p. 13, clarifying the fact that nosers are strictly
one-way machines, would make p. 31 perfectly reasonable."

In addition to the corrected typescript, the archive includes letters from editors at Doubleday. Dick, evidently, ignored legendary editor Larry Ashmead's suggestions in a letter dated November 14, 1968 in which Ashmead declared the novel "one of your best to date." And so over a year later Doubleday editor Judith Glushanok wrote to the author on December 15, 1969 reiterating the suggestions.

To which Dick responded on December 28, 1969:

1. Explanation on p. 13. You seem to be under a misapprehension re the way fuel is used in interplanetary flight. Virtually all the fuel is used on takeoff; it is not like, say, a car which uses fuel continually. Thus, a space ship could, for example, handle a single-way flight of ten million miles but not a flight-and-return of five thousand miles each way. Do you see? But if you want to make changes on p. 13, please do so. But as far as I go, no changes are needed, so I will yield to you.

In the same letter, he declines to accept the suggestion that the sexually explicit material and graphic language on p. 131 be "toned down." Yet in the final, corrected typescript - part of this archive - he made changes to words and imagery.

Leaf from typescript, with holograph corrections.

Dick said that the idea for the novel came from an attempt "to develop an abstract, logical system of religious thought, based on the arbitrary postulate that God exists."

At this point in his career, Philip K. Dick (1928-1982) was transitioning from science-fiction themes to reconnaisance of religion and God.  He asserted that the idea for the novel came from an attempt "to develop an abstract, logical system of religious thought, based on the arbitrary postulate that God exists."

The Introduction to the third volume of the Library of America's collection of Dick's writing describes this phase as one where "religious revelation, always an element of his fiction, became a dominant and irresistible theme," and that A Maze of Death "foreshadows Dick's final novels."

This post was written on Ecstasis-9, a barren pebble located in the third quadrant of meta-cyberspace by someone who looks, acts and talks exactly as I do but may be a figment of my fecund imagination, "Stephen J. Gertz" the product of long-term use of Substance-D by someone who shares my DNA but has been known  since  birth  as Agent  Murray, a  defrocked  rabbi  with personality issues working undercover  to  investigate "Stephen J. Gertz" for  the  Department  of  Homeland  Security, Section 8.

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Images courtesy of Royal Books, currently offering this archive, with our thanks. Click here for full details of archive content.

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Alan Turing Takes Off At Christie's

by Stephen J. Gertz

A copy of Alan Turing's On Computable Numbers, With an Application to the entscheidungsproblem (1936), the foundation of modern digital computing and Turing's most important and lasting achievement to mathematics, is being offered by Christie's-London in its Valuable Printed Books and Manuscripts sale tomorrow, June 12, 2013. It is estimated to sell for between $22,830 - $30,440 (£15,000-£20,000).

It's one of ten lots of Turing material being offered, a trove for the collector of rare science, mathematics, or technology books.

"In 1935 while at Cambridge, Turing attended M.H.A. Newman's course on the Foundations of Mathematics. While Kurt Gödel had demonstrated that arithmetic could not be proved consistent, and it was certainly not consistent and complete (see lots 137 and 138), the last of mathematics' fundamental problems as posed by David Hilbert remained: is mathematics decidable? In other words, was there a definite method which could be applied to any assertion which was guaranteed to produce a correct decision as to whether that assertion was true. Known by its German name Entscheidungsproblem, Newman posed the question as to whether a mechanical process could be applied to this. By the words 'mechanical process' what Newman really meant was 'definite method' or 'rule;' but for Turning 'mechanical' meant 'machine.'

"Turing imagined a machine set up with a table of behavior to add, multiply, divide, etc. If one assembled lots of different tables for lots of different calculations, and then ordered them by rank of complexity, starting with the simplest, then in theory it would be possible to produce a list of all computable numbers. However, no such list could possibly contain all the real numbers (i.e. all infinite decimals), and therefore the computable could give rise to the uncomputable. Thus Turing understood that no machine -- or "definite method" "mechanical process" -- could ever solve all mathematical questions; and therefore the answer to the Entscheidungsproblem was that mathematics was undecidable.

"Unfortunately, Alonzo Church had fractionally pre-empted Turing by coming to the same conclusion on the Entscheidungsproblem. However, Church had used the very different approach of lambda calculus, and Newman realized the greatness of Turing's paper lay in his unique approach and conception of machines to attack mathematical problems. Thus, this paper also laid the foundations for modern digital computing. It was a brilliant amalgamation of pure mathematical logic and theory with a practical engineering component. The abstract machines described in 'On computable numbers' would become the reality of Colossus and modern microprocessors."

This copy was the property of acclaimed mathematician and author R.O. Gandy, who inscribed the first leaf in ink below half-title "with a few corrections to misprints etc. by ROG," and added some pencil marginalia.

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My thanks to Sven Becker of Christie's for tolerating my wholesale reprint of his catalog note for this lot. If I had to study the material all by myself I'd be thrown back to 1979, when I gamely attempted to read and understand Douglas R. Hofstadter's Pulitzer Prize-winning Godel, Escher, Bach. An Eternal Golden Braid: A Metaphorical Fugue on Minds and Machines in the Spirit of Lewis Carroll,  and soon ran out of luck when I ran out of smarts, this area of thought lost in a fifth cerebral ventricle which only I possess: the sinkhole at the center of my brain.

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TURING, Alan. On computable numbers, with an application to the Entscheidungsproblem. Offprint from: Proceedings of the London Mathematical Society, ser. 2, vol. 42. London: November 12th 1936. Octavo (275 x 184mm). 34pp., 230-262 (only, lacking last two leaves, pp.263-266). Stapled (lacking the original wrappers, first leaf almost detached, soiling and staining). Provenance: R.O. Gandy.

[With:] 

On Computable Numbers, with an Application to the Entscheidungsproblem. A correction. Offprint from: Proceedings of the London Mathematical Society, ser. 2, vol. 43. London: 1937. 8° (275 x 184mm). 4pp., 544-546. (Creasing and soiling to gutter.) Original olive-green wrappers, stapled (one staple lacking, the remaining one rusted, soiling and staining, wrappers detached. Provenance: R.O. Gandy (small correction in pencil to first page).
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UPDATE 6/15/2013: Sold for $29,325 (£18,750), incl premium.

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Images courtesy of Christie's, with our thanks.
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Laptop Computer Discovered On Ancient Greek Vase

by Stephen J. Gertz

μήλο φορητό υπολογιστή

Evidence that ancient Greek civilization possessed advanced technology beyond the Antikythera mechanism, the earliest complex mechanical instrument, used for calculating the movements of the stars and predicting solar and lunar eclipses - in short, a prototype computer - has been strengthened by the discovery of a laptop computer depicted on an ancient Greek vase.

The image is of the Oracle of Orpheus, the head of Orpheus offering prophecies to a young man who records the predictions on his laptop while Apollo observes at right.

Identified on the vase as μήλο φορητό υπολογιστή, tech-anthropologists have yet to discern how the device's mechanism worked; there is no visible evidence of power cord or battery. The young man appears to be operating a crude pedal with his right foot, apparently the source for power generation.

In what is, perhaps, the most troubling aspect of this image, Orpheus's head, supposedly buried near Antissa on the island of Lesbos after his body was torn apart by Thracian Maenads, is depicted as a late 20th century news anchor, a typical "talking head." This is radical because in ancient myth the head of Orpheus is usually singing mournful torch songs for Eurydice. It's tantamount to Frank Sinatra transmogrifying into the Oracle at Delphi and delivering a cryptic message as a late night news bulletin:

It's a quarter to three, there's no one in the shrine 'cept you and me.
So set 'em up Zeus, I gotta little story that ends in a noose.
We're drinkin' mead,  friend,
To the end
Of a brief episode.
So make it one for Eurydice,
And one more for the road

Orpheus rejected worship of all Gods except the sun, whom he called Apollo. But even Apollo had his limits and after listening to the Oracle of Orpheus until he couldn't stand it any longer, gave Orpheus the hook and shut his mouth. Here, Apollo seems to be saying, "Hey, I want one of those things!" It is entirely possible that this vase and its message went ancient-world viral.

In a telling detail, the young man is using a stylus to depress the computer's keys, conclusively demonstrating that from the very beginning laptop makers presumed everyone had toothpick fingers able to navigate a cramped keyboard design inspired by canned sardines.

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A Lean. Mean Machine For Those Who Use Their Brains To Earn a Buck

By Stephen J. Gertz

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