Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Tuesday, August 24, 2010

The Apocryphal Cookbooks of Famous Novelists



LAWRENCE, Cynthia [pseud. of Lillian Hellman?]. Barbie's Easy-As-Pie Cookbook.
New York: Random House, 1964.
Though she preferred anonymity, we're pleased that the Unfinished Woman
had time to finish this book, attributed to her based upon its Stalinist sympathies.

Recently, Kelvin Johnson, an adult-bookstore clerk in Baltimore, MD, bought the contents of a self-storage unit at auction. Within was box of books that upon close examination inspired Johnson to contact lawyers, accountants, and rare book dealers.

“I’m not much of a vanilla-book person,” Johnson said, “but I do know that none of these authors were known for their work in the kitchen. They’re all cookbooks.”

The news has rocked the literary establishment.

“We all feel like we’ve been kneaded, and flattened with a rolling pin,” Marilyn Bagley, Professor of English Literature at West Covina Community College in Southern California and author of Heavy Metal and Hip-Hop Motifs in Victorian Novels 1840-1860: The Foreshadow of Ozzie Osborne, Original 50 Cent, and the Quest For Bling Within the Works of William Thackeray and George Eliot, reported. “All our bubbles have been squooshed.”

Basil Pine-Coffin, a literary forensics specialist and rare book dealer that Johnson has hired to appraise the books, said, “stylistically, they’re spot on; there’s no question in my mind that they are genuine. They appear to be vanity editions, and one-offs – unique. They have certainly never been heard of or seen before. This is an amazing discovery that will provide scholars with plenty to chew on for many years to come. The books are priceless - but we’re working on it.”

A few highlights from the trove:

Mark Twain married his interest in gastronomy with his affection for the vernacular and erotic, and thus brought A Tramp, A Broad, and Huckleberry Pie out of the oven and onto the dessert tray.

Who knew that Charles Dickens was a closet chocolatier? Barnaby Fudge melts in your mouth.

Was Edgar Allen Poe a secret Jew? No one has ever imagined it. But The Tell-Tale Calves Liver, a tract on trayfe (non-kosher), strongly suggests that the idea ain’t just chopped liver.

William Styron suffered from depression for much of his adult life yet he, apparently, found joy in the simple pleasures and so bequeathed Sophie’s Choice Brisket to us.

Portrait of a Lady Finger is surely Henry James’ lightest confection.

We now know what drove F. Scott Fitzgerald to drink. The Beautiful and the Damned Angel Cake is a bittersweet tragedy.

True, she didn’t write fiction. Yet environmentalists and litterateurs will be seared when they learn that when not spraying the truth on pesticides Rachel Carson tacitly wrote The Silent Spring Chicken. No comment on this understated gustatory salute to Cornish game hens and the many ways to prepare them, sotto voce, and hormone-free.

It is likely that no one will ever tackle James Joyce’s contribution to the dinner table. No kitchen consultants have been able to make head or tail out of Finnegan’s Cake, much less bake it. But that shouldn’t stop it from winning the Pillsbury Bake-Off; it’s a modern classic that will be much admired though rarely eaten.

William Faulkner, it turns out, spent as much time with a baking sheet as a sheet of paper. One afternoon, he asked his Hollywood employer, studio-chief Jack Warner, if he could finish writing at home. Warner looked at his watch and said, sure, go ahead. A week later, Warner was pissed-off. “Where the fuck is Faulkner?” Turns out, Faulkner had something in the oven – at home in Oxford, Mississippi, where he apparently fled to compose the following soufflés: The Sound and the Fricassee; As I Lay Frying; Intruder in the Crust; Requiem For a Bun; and Albacore, Albacore!

Johnson is very excited. And the stakes are high. At a press conference this morning his team announced their appraisal of the collection, a staggering $200,000,000.

Yet all is not well in the world of literary dishes - instant riches.

James Salt, the respected rare book dealer that Johnson originally brought in to help with the project, excused himself early on. He believes the collection may only be worth $200, at best.

“I smell fish,” Salt sniffed, “and I’m not talking about Jean Rhys’s Wide Sargasso Sea Bass: 20 Lite N’ Easy Meals.

“While it’s true that Tolstoy hated Italian food I seriously doubt that he would devote his time and labor to a 1,000 page book about his struggle with it. I don’t care how many so-called experts assert otherwise, I will never be convinced that he wrote War On Pizza.”
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Tuesday, December 1, 2009

Jonathan Littell Wins 2009 Bad Sex in Fiction Award

U.S. writer Jonathan Littell has now added Literary Review's Bad Sex in Fiction award to the honors bestowed upon his 900-page novel, The Kindly Ones, an international best-seller and recent winner of the Goncourt prize, France's highest honor to the author of "the best and most imaginative prose work of the year." The winner was announced last night in London.

The awards were established by the editors to “gently dissuade authors and publishers from including unconvincing, perfunctory, embarrassing or redundant passages of a sexual nature in otherwise sound literary novels.” They are annually awarded to the author who produces the worst, most laughable and/or jarring description of a sexual encounter in a modern novel.

In its review, The Nation noted that The Kindly Ones, a "fictive memoir of a Nazi SS officer, is intentionally sickening and an unquestionably brilliant success."

In Book Patrol's recent report on this year's Bad Sex in Fiction nominees, I thought sure that I'd correctly identified the offending scene. The editors at Literary Review had another in mind. So many to choose from...

The offending passage compared female genitalia to various Greek fiends, including the mythical monster Gorgon and "a motionless Cyclops whose single eye never blinks."

"Here's looking at you, kid," Bogey said to Bergman. And we'll leave it at that.

Last year, John Updike was awarded a Bad Sex in Fiction lifetime achievement award for the singular achievement of being nominated four times in the prize's 17-year history.

_________

Of related interest: 2009 Bad Sex in Fiction Award Nominees Announced.

Monday, November 23, 2009

2009 Bad Sex in Fiction Award Nominees Announced

Courtney Love presents the 2006 Bad Sex in Fiction Award
to Iain Hollingshead
for his novel, Twentysomething.
The nominees for Literary Review's 2009 Bad Sex in Fiction Awards were announced last Friday evening.

The awards were established by the editors to “gently dissuade authors and publishers from including unconvincing, perfunctory, embarrassing or redundant passages of a sexual nature in otherwise sound literary novels.” They are annually awarded to the author who produces the worst, most laughable and/or jarring description of a sexual encounter in a modern novel.

In other words, when sex scenes go horribly wrong secondary to punctuation, syntax, or falling off a cliff into a seething, moist cleft of sexual imagination, and penetrating, deeper into the black velvet-painting darkness, with pen and paper meeting as one in a turgid embrace that ends with exhausted stylus squirting its bounty directly upon the face of the laid paper, the now defiled page laying there, humiliated but with a twisted smile. "Did you comma?" the pen asked. "I prefer verso to recto," the paper said, suggestively, "semi-colon."

The award itself is in the form of a "semi-abstract trophy representing sex in the 1950s," which depicts a naked woman draped over an open book.

This year’s nominees are (with brief excerpts from offending passages):

The Humbling by Philip Roth
“It was English that Pegeen spoke when she looked over from where she was, now resting on her back beside Tracy, combing the little black cat-o’-nine-tails through Tracy’s long hair, and, with that kid-like smile that showed her two front teeth, said to him softly, ‘Your turn. Defile her.’ She took Tracy by one shoulder, whispered “Time to change masters,” and gently rolled the stranger’s large, warm body toward his. ‘Three children got together,’ he said, ‘and decided to put on a play,’ whereupon his performance began.”

The Infinities by John Banville
“Alba has stepped out of her dress in one flowing, stylised movement, like a torero, the object of all eyes, trailing his cape in the dust before the baffled bull; underneath, she is naked. She looks to the side, downwards; her eyelids are so shinily pale and fine that Adam can see clearly all the tiny veins in them, blue as lapis. He takes a floating step forward until his chest is barely touching the tips of her nipples, behind which he senses all the gravid tremulousness of her breasts. She puts her hands flat against his chest and leans into him in a simulacrum of a swoon, making a mewling sound.”

Rhyming Life and Death by Amos Oz
“Attentive to the very faintest of signals, like some piece of sonar equipment that can detect sounds in the deep imperceptible to the human ear, he registers the flow of tiny moans that rise from inside her as he continues to excite her, receiving and unconsciously classifying the fine nuances that differentiate one moan from another, in his skin rather than in his ears he feels the minute variations in her breathing, he feels the ripples in her skin, as though he has been transformed into a delicate seismograph that intercepts and instantly deciphers her body’s reactions, translating what he has discovered into skillful, precise navigation, anticipating and cautiously avoiding every sandbank, steering clear of each underwater reef, smoothing any roughness except that slow roughness that comes and goes and comes and turns and goes and comes and strokes and goes and makes her whole body quiver.”

The Naked Name of Love by Sanjida O’Connell
“This time her body felt real to him, not fragments from a dream, or a surreal hallucination, but there was a certain clumsiness, an awkwardness on his part as if it were the first time for him now that he was bereft of the herb that made him feel how she felt. They were not in tune and it was as if he were splashing about helplessly on the shore of some great ocean, waiting for a current, or the right swimming stroke to sweep him effortlessly out to sea.”

A Dead Hand: A Crime in Calcutta by Paul Theroux
“‘Baby.’ She took my head in both hands and guided it downward, between her fragrant thighs. ‘Yoni puja – pray, pray at my portal.’

“She was holding my head, murmuring ‘Pray,’ and I did so, beseeching her with my mouth and tongue, my licking a primitive form of language in a simple prayer. It had always worked before, a language she had taught me herself, the warm muffled tongue.”

The Death of Bunny Munro by Nick Cave
“He slips his hands under her cotton vest and her body spasms and slackens and he cups her small, cold breasts in his hands and feels the hard pearls of her nipples, like tiny secrets, against the barked palms of his hands. He feels the gradual winding down of her dying heart and can see a bluish tinge blossoming on the skin of her skull through her thin, ironed hair.”

The Kindly Ones by Jonathan Littell
“Una had stretched out on the bed of the guillotine; I lifted the lunette, made her put her head through it, and closed it on her long neck, after carefully lifting her heavy hair. She was panting... Leaning over the lunette, my own neck beneath the blade, I whispered to her: ‘I’m going to pull the lever, I’m going to let the blade drop.’ She begged me: ‘Please, f*** my pussy.’ – ‘No.’ I came suddenly, a jolt that emptied my head like a spoon scraping the inside of a soft-boiled egg.”

The Rescue Man by Anthony Quinn
“He had the sensation of journeying through veils, of a headlong descent towards disclosure, and the prospect of pausing to fiddle with more buttons was not to be borne.”

Love Begins in Winter by Simon Van Booy
“Hannah’s body was swallowing, digesting all that was mine to give. For those final moments, we existed seamlessly – all memory negated by a desire that both belonged to us and controlled us.

“After, we kept very still, like the only two roots of the forest.”

Ten Storey Love Song by Richard Milward
“Let’s have sex, they think simultaneously, couples having strange mind-reading powers after months and months of trying to figure each other out. Panting, Georgie starts rubbing her hands round Bobby’s biological erogenous zones, turning his trousers into a tent with lots of rude organs camping underneath. Bobby sucks all the freckles and moles off her chest, pulling the GD bib wheeeeeeeeeee over her head and flicking Georgie’s turquoise bra off her shoulders”

2006 Bad Sex in Fiction Award runner-up Tim Willocks declares: "I have long admired Literary Review for creating this award - if only because it's a much better guide to a good read than those purveyors of powerful sleeping drugs, the Booker, the Pulitzer, the Goncourt et al."

Previous winners of Literary Review’s Bad Sex in Fiction Award include Tom Wolfe, AA Gill, Sebastian Faulks, and Melvyn Bragg.

 
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