Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Tuesday, August 27, 2019

Christopher Isherwood and Me at the Gym

 by Stephen J. Gertz

(Written five years ago, the following has the honor of being rejected by every literary journal in California secondary to length (and perhaps certain content). Time to get it out, throw it on the wall, and see if it sticks).


“I’ve started going to the Physical Services gym at Westwood and Santa Monica, and already the exercise makes me feel good. I needed it so badly. That’s a good habit started. I must keep it up.” (Christopher Isherwood,  Diaries, January 12, 1954).

Chris stood at his locker with a towel wrapped around his waist and shower sandals on his feet. He was soaked. He usually set aside a couple of extra towels; they were too small for any one of them to completely dry a body. He seemed lost and said nothing but it was clear what the problem was: a jerk too lazy to walk to the locker room entrance and get his own had walked off with Chris’. His partner, Don Bachardy, wasn’t around; perhaps still in the shower, or not present at all; I don’t recall. I brought Chris (for that is how he asked to be addressed after my initial “Mr. Isherwood”) a few more. It was part of my job: gym instructor, physical therapy aide, towel boy. 

“The smog was so bad yesterday that Bruce Conners [sic] at the gym said one really shouldn’t go out jogging in it; making yourself breathe heavily and inhale all that stuff does you much more harm than the exercise does you good.” (October 3, 1970).

The gym was the Bruce Conner - Al Hinds Health Club, established in 1947 as Bruce Conner’s Physical Services by Bruce Conner (1919-2010), a physical therapist with roots in competitive gymnastics and weightlifting, and the original Muscle Beach. Unlike the franchise model established by his friends, Vic Tanny and Jack Lalanne, Bruce opened what was at the time the only gym in the U.S. for men and women offering physical therapy and massage services. It’s quite possible that every orthopod in the area referred patients to Bruce; because it was operated by a physical therapist and respected athlete it was legit, not strictly for health nuts and ironheads, a nice space (Chris thought the atmosphere at Vic Tanny’s in Santa Monica, “squalid”), and Bruce was quite likable. Word got around. 

It was located on Little Santa Monica Blvd. one block east of Westwood Blvd. on L.A.’s Westside. Because of its proximity to Beverly Hills, Holmby Hills, Bel Air, Brentwood, Pacific Palisades, Malibu, and Santa Monica and its canyon communities, the gym attracted wealthy celebrity and civilian patients and members, as well as the general, non-wealthy public. In 1964 Bruce trained eleven Olympic medal winners,   and the Russian Olympic weightlifting team once worked out at the gym. It was old-school—a small neighborhood spot with separate facilities for men and women, few machines, and little chrome, mostly for the ladies. I was a member for a few years before I worked there, 1976-78.

“I went to the gym, where [actor] Richard Egan works out in a hooded sweater with a mackintosh pair of pants over it, presumably to make him sweat that much extra”  (November 14, 1961).

It was where I became friendly with many appropriately dressed, overdressed, underdressed, and completely undressed film, television, and music personalities. 


Riccardo “Rick” Montalban didn’t bother with the graceful glide he had adopted to mask his pronounced limp and was thankfully amused when I once described a workout bench as being upholstered in rich Corinthian vinyl because I couldn’t resist. Richard “Dick” Jaeckel, a short, scrawny kid in his acting debut in Guadalcanal Diary (1943), had subsequently morphed into a mighty tree stump with blond hair, eternal tan, and solid chops (see Sometimes a Great Notion). Film director George Sidney, like me, grew up in Queens, NYC, and was a trove of vintage Hollywood lore and legend I could listen to at length and did because George liked to talk about the old days and dump on the new while exercising - or eating donuts he brought in and offered to all. A patient of Bruce and Al, Jan Berry, of Surf City’s Jan and Dean, never fully recovered from brain injuries after totaling his ’Vette ten years earlier near Dead Man’s Curve on Sunset Blvd. in Beverly Hills, two years after Jan and Dean’s Dead Man’s Curve became a top ten hit. Vito Scotti played Nazorine, the baker whose unwed daughter had a bun in the oven and boyfriend without green card in The Godfather. Password game-show host Allen Ludden was a good sport when I once asked for the password as he entered the steam room. 

There were many more, including screenwriter Bill Kerby, who, during pre-production for The Rose, his take on Janis Joplin starring Bette Midler, wrote Van Nuys Boulevard, mercifully unproduced to spare the public from a scene appearing on page 62:


INT. BRUCE CONNER - AL HINDS GYM - MORNING

With a searing CRASH! Man Mountain Wawrzeniak drops loaded dumbbells to the floor and looks at himself in the floor-to-ceiling mirror. He nods his head. Next to him, FRED DRYER (Defensive End for the L.A. Rams) and STEVE GERTZ, stand by and openly stare. They are both specimens, themselves, but now they’re in the presence of Greatness and they know it.

                          STEVE GERTZ

                                Good set.

                           MAN MOUNTAIN

                                  Yeah.

                            FRED DRYER

                       You should’ve gone 

                              t’the pros.

                            MAN MOUNTAIN

                               Football’s pussy.

And with that, he turns and walks into the locker room. Gertz and Dryer look at each other.

                             STEVE GERTZ

                               An intellectual…                                             

Yes, Fred was a member, too. “Kate the Great” Schmidt, a close friend who held the American (and soon World) record in women’s javelin, began to workout there, then Jane Frederick, American record holder in women’s heptathlon; Maren Seidler, who had a lock on the American record in women’s shot put; and Italian track star Giulia Montefiore. The Montreal games were on the horizon and the gym again became an unofficial Olympics weight-training site, at least for the Olympians I knew.


“At the gym I feel very strong” (September 12, 1962).

It’s where I reconnected with Lolo, a dear friend from high school who worked the front desk. It’s where I became friends with Levey, an instructor who, like me, was a former NYer, jazz drummer, and competitive boxer with a big, tough father sired by a tougher father, each of whom had been fighters; we shared issues as well as interests. 


It’s where I met “Schitzo Nitz-o,” who, prior to working at the gym, did time for manslaughter after a bar fight went bad; kept a copy of the Physicians Desk Reference at home so he could investigate whatever pharmaceutical he was considering for abuse then take it no matter what the PDR said; was my co-bouncer at a couple of Westside bars; and accompanied me on evictions I handled for a gym member with upscale rental properties but a few downscale tenants who required emphatic assistance to immediately vacate. 

It’s where I caught up with Lisa Lyon, another high school friend, who joined the gym to build strength while studying kendo, became Schitzo’s workout and otherwise partner, and later wound up as the first Women’s World Pro bodybuilding champion, and muse to photographer Robert Mapplethorpe and philosopher, neuro-scientist, and psychedelicist John C. Lilly. 

It’s where I met Karl, an elderly, easily irritated and delight-to-incite staff masseur, he of the wandering hands and thankful distaff clientele. He, with fluffy gray-to-white hair on the loss, hard, ice-blue Nordic eyes, and Teutonic accent, we suspected had been Hitler’s personal masseur who fled the bunker after indiscreetly makin’ mit der shiatsu mit Eva, and whose delivery of Schatziputzi, a German term of endearment, remains the most obscenely creepy thing ever heard—just ask Lolo. 

It's where I met Abbye  (strictly ironic “Pudgy”) Stockton, a staff instructor and Muscle Beach alumnus who, during the ’50s health and fitness scene, was “America’s Foremost Bar-Belle." Her husband, Les, another Muscle Beach graduate and staff instructor, was a merry old philandering satyr with a twinkle in his eye and apparently a sparkle in his dick, judging from the effect on the women in the gym he sacked.
 

It’s where I met The Amazing Mary, a middle-aged, formerly miserably married, sexually repressed lady who, according to her liberator, Les, was a subject of study at a sex institute in Santa Monica where she earned the world record for most orgasms within a given brief period of time. It’s a feat I can vouch for, having been treated to a clinical demonstration while sitting in the passenger seat of her VW Beetle in the gym’s parking lot in broad daylight as she, at the behest of Les, digitally drove herself in the driver’s seat. Les and a few men from the gym kept an apartment nearby for entertainment purposes, the purpose being to entertain themselves with Mary, who enjoyed entertaining and being entertained.

The gym was where I met Mambo, the woman who would eventually become my ex-wife due to my instability, with stupidity a close second.

“153 1/2 [lbs.]. We went to the gym” (July 22, 1976).

And it was where I met Christopher Isherwood.

I became aware of him when I was fifteen years old. My mother took my sister and me to see the original Broadway production of Cabaret and I saw his name in the Playbill. I read Berlin Stories a few years later and it sparked an interest in Weimar culture. By the time I began working at the gym I was mindful of his larger literary reputation but hadn’t read any of his other books and was unaware that he had written screenplays. Berlin Stories was sufficient to make a profound impression. When Chris was in the gym I was in the presence of Greatness and I knew it.

But I didn’t do much about it. In fact, I did nothing. I’ve regretted it ever since.

Chris had been a member on and off for twenty-two years before I made his acquaintance, for some time also a member of Lyle Fox’s gym in Pacific Palisades, returning exclusively to Bruce’s when the Fox gym closed. He came in regularly, and stepped on the men’s locker room scale as if punching a time clock. Because I was either busy with a new member, PT patient, laundering towels, in the ladies gym where I spent half my workweek, or preoccupied with my own workouts, I never had many opportunities to talk to him. And Chris and Don kept to themselves, which I respected. But I could have engineered situations. The reality is that I was paralyzed by shyness. As a seasoned Hollywood veteran (I’d worked, after all, as a studio laborer, greensman, and propmaker) I had no trouble kibbitzing with the show biz set. But Chris, he was another matter. I was a precocious reader as a kid and, though I certainly loved movies and TV, accorded book writers with a degree of respect and awe reserved only for heroes. I’d placed him on a pedestal and was completely star-struck. That was not the case with Ray Bradbury, who I’d met a few years earlier while working in a Beverly Hills record shop. Ray was warm, open, and initiated conversation. Chris was not, and did not.

During this time I was also touring the East, reading the Upanishads, Ramayana, and Mahabarata. I was interested in Vedanta. I would have loved to talk to Chris about this stuff, as well as literature. I probably would have been intrusively annoying, or so I sensed otherwise I would not have been so pathetically timid. It’s not that Chris had some sort of force field that he deliberately turned on to keep people away from him, but he projected an element of self-possession and reserve that might be interpreted as aloof, distant, and/or cold which, as I’ve since learned, he was not. I know because, like him, I was (and remain) a Virgo, his birthday falling on the day after mine, though I hope the reaction he got when answering “what’s your sign?” was better than I’ve ever received: “oh,” the “I’m so sorry” tacitly expressed. Maybe Chris and Don, like most people, just wanted to get in, workout, and get out; the likely explanation.


“154 1/2 [lbs.] We saw Stay Hungry (with Jeff Bridges), went to the gym.”  (July 19, 1976).

For an instant in the continuum of human existence I had the most spectacular calves in the cosmos. With a pair of glorious gastrocnemius, solid gold soleus, peroneus longus and brevis to long for, and with each sharply cut and precisely defined, I was “Mr. Universe from the knees down,” a wry homage by former Mr. America, Mr. World, and 4-time Mr. Universe (as well as escort service mogul, organized crimester, and arm-wrestling hustler who often earned over $1,000 a week from that alone) Dennis Tinerino, yet another gym member. 


Support for that sterling epithet presented itself when, as a contestant in the 1977 Jr. Mr. Southern California competition, I was called out as the ideal against which all other contestants’ calves were to be judged, and the enthusiastically vocal audience, now awestruck at the appearance of my dogies, gasped before erupting into wild, unrestrained bravos as Also sprach Zarathustra heralded my ascension into the pantheon, the heavens opened up, a golden shaft of light bathed me in its numinous glow, I experienced ego death, everything was everything, I took my place on the Great Mandala and was at one with All, even the guy in the front row who for a moment looked like a hipster chimp with goatee and shades. On stage, posing before a packed auditorium, with an applied tan, shaved and greased-up from the neck down, and wearing only the suggestion of a Speedo that highlighted my religious heritage, things weren’t surreal enough so I’d dropped a cap of mescaline halfway through the event.

Afterward, I rendezvoused with Spin and Lolo and her sister in the lobby and waited for our chauffeur, Gibson, to bring his limo around. Spin (gym member, natch’), who I’d been with for a few months, dropped her cap. The plan was to go Dada post-contest; I just arrived early. Lolo and Gibby (gym member, of course) had been dating; the limo ride was his idea and it was refined after a committee was formed to consider the possibilities for pagan worship. And so The Golden Calves Revue hit the road.

“Good workout again at the gym today” (February 28, 1961).

Because of work, travel, and various ailments in 1964, Chris wasn’t going to the gym very much. If he’d observed the following he would have surely recorded it.



Photo courtesy of Royal Books.

That year the gym earned a footnote in modern American art history when painter, sculptor, assemblager, filmmaker, and art-provocateur Bruce Conner visited Bruce Conner’s Physical Services and demanded that Bruce remove his name from the building: there was only one, true Bruce Conner and the town wasn’t big enough for the both of ’em. Suffice it to say, Bruce Conner, physical therapist, gave Bruce Conner, artist, the heave-ho and don’t ‘cha come back no mo’. Incensed (mock or otherwise), Bruce Conner, artist, returned with actor-photographer Dennis Hopper, who documented artist Conner and a gaggle of models posed beneath the gym’s painted sign on the outside west wall. (Original prints of Hopper’s photograph now sell for upwards of $20,000). The visual pun was intended - and unintentionally appropriate: the place was Libidoland.  Afterward, Bruce Conner, artist, went inside and distributed buttons to the membership that read, “I am not Bruce Conner,” while sporting his own button, “I am Bruce Conner.” It was a happening, baby! The gym’s signage remained when, in 1971, Bruce retired and turned the business over to Alan Hinds, a physical therapist who had been his assistant. 

“The only achievement for me has been at the gym” (July 28, 1966).

The ladies gym was a garden. If I’d had the temperament for promiscuity I’d have needed a thirteen-month calendar to schedule dates. This is not ego; it was the same story for the other instructors. A member once told me she wanted to see what it was like with a big, built guy. Musicians looking like dental floss with legs may have been the ideal in the outside world during the mid-1970s but inside the gym muscle was exotic and, apparently, tempting, the apple on the tree. I had the astonishing opportunity to meet a lot of women, get to know them, become friends, and then and only then, ask them out if I was interested in something more. This was a first. Prior to that I didn’t meet many women so when one crossed my path discrimination tipped its hat to desperation and took a hike. Though I had a couple of escapades between them, prior to meeting Mambo I had two intense amours fous with women I met at the gym.

You could fit Spin in a tea cup and still have room for a tea bag and two lumps of sugar but she had big ideas. Most of them involved sex, many of which I enjoyed, others not so much. She held my testicles hostage to being “open-minded” and so I always said yes when my head was often screaming no. On one occasion she’d contrived I felt like a crash-test dummy at an orgy. She lived a few blocks away from the gym with her long-term boyfriend in an open relationship well on its way to closing up shop. She scared the hell out of me when she once lost consciousness after an orgasm and I thought I’d killed her, but she finally came to and wanted more. But I made excuses, afraid anxiety might kill me. During an evening shift, we once trysted in the gym’s ultrasound/hydrotherapy room, from within which on enchanted nights it was not unusual to hear ultra-sounds having nothing to do with standard therapeutic modalities. I was volunteered to pose for the boyfriend, a professional photographer with a scheme to broaden his portrait business with “fine art” erotic photography catering to sophisticated couples. His shot of me, however, looked like a porn bar mitzvah commemorative: naket boychick in full profile, head bowed and turned away in reverence with shadows for the sacred and solemn but head not turned and shadowed enough to mask the bar mitzvah boy’s punim. It was not a photograph I was keen on anybody ever seeing but people did when the weasel set up a display in The Pleasure Chest in West Hollywood without my consent. I had to pay him a social call to request all prints and negative, a visit I hope his recollection of stimulates the panic I witnessed when he opened the door and saw me looking nothing like happy. Macho has its appropriate moments.

Rima was smart, exotic, and pensive, with a face like a bright full moon with a dark cloud hovering over its surface. She was a successful business machine saleswoman six years my senior whose twisted on and off relationship with her demon shrink she hoped I’d be the cure for. She told me she loved me and I believed her but couldn’t say it back because I didn’t want to believe it even though I felt it; doomed if I do, damned if I don’t. A hothouse flower, she wore Jungle Gardenia, a scent so overpowering that I often swooned when we embraced, so I asked her to tone it down. She did, confining it to down below. She asked me to hurt her during sex but that was new to me and I was too scared; I couldn’t meet that need and felt that I had failed her in a fundamental way. She wanted me to run away with her, somewhere, anywhere but I didn’t have the guts or maybe it was just good sense because I felt something wrong inside her, like a dog can smell cancer. I raced to see her at 2AM when she called, drunk and in tears two months after she once again fell under Freudenstein’s spell, and begged me to come over and hold her and I did, rocking her in my arms on her couch for as long as she needed because you don’t leave a wounded and defenseless animal in the middle of the road, you just don’t. But I abandoned her without a note after carrying her to bed and tucking her in when she finally passed out, a careless act not meant to be so that has haunted me ever since.


“Today I did my first full day’s work at Fox. I have what seems to be a dream secretary, Eleanor Breese” (September 24, 1956).

I was anxious to move on from the gym; I was serious with Mambo and needed to demonstrate that I had a future. Lisa was a story analyst at American-International Pictures, and the knowledge that there was a job informally  called “reader” was a welcome revelation. Sometime later I was talking to Bill Kerby about this employment manna and he said that a friend of his might need some help. He arranged a meeting. I put together a few writing samples, met his friend and for the next four years worked as assistant to and reader for a dream employer, Eleanor Breese, executive story editor at Lorimar Productions, at the time the number one television production company. During that period Eleanor talked about working in the Scribner’s steno pool for Maxwell Perkins and assignments he sent her on, e.g. working at the kitchen table in Thomas Wolfe’s Brooklyn apartment, typing up manuscript pages as he threw them over his shoulder while using the refrigerator as a standing desk. She mentioned working at Fox, but Chris never came up, which is odd because as I’ve subsequently learned the two became friends and socialized outside of work. If she had talked about him I’d have remembered.

I asked Lolo what she remembers about Chris. Not much of anything, it turns out. Chris was gentle, Levey recalls. “He’d say ‘hi,’ when he came in. He fidgeted around; he didn’t sweat buckets.” Lisa, who was a friend of Don, doesn’t recall seeing Chris at the gym at all. Apparently, he possessed the power of invisibility when he wanted to move through the world unobserved.

I’d have asked Schitzo but restlessness consumed him and he went AWOL. For three years if my phone rang in the middle of the night—as it did around once a month; it was his metaphysical menses—I knew who was calling and what to expect: in the midst of an existential crisis and heavily drugged he would channel The Beach Boys. And I’d respond in kind to keep him on the line and away from the ledge. I’d pick-up the phone and without greeting he’d begin.

“I’m gettin’ bugged drivin’ up and down the same old strip. I gotta find a new place where the kids are hip.”

“Don’t worry, Bobby, everything will turn out alright.”

“Now it’s dark and I’m alone, in my room. What good is the dawn that grows into day? The sunset at night, or livin’ this way?”

 
“At least you’ve got the warmth of the sun.”

“Yeah, but will I look back and say that I wish I hadn't done what I did?”

He already wished that. Time to distract.

“Perhaps, but here’s a little peninsula, and over here’s a viaduct leading over to the mainland.”

“Why a duck?”

And we’d run that Marx Bros. scene.

Schitzo scrammed to Australia and worked in a health club in Sydney. When he got kicked out of kangaroo-land for lack of a work permit he wound up in Hong Kong, working in another health club. At one point in the mid-‘80s a mutual friend called to tell me that Schitzo was in town and wanted to get together. So I went over. I met his recent bride, a young Chinese girl who spoke no English. Schitzo didn’t speak Chinese. That can only have improved the marriage’s prospects for success. I would have asked him about it but he wasn’t around. Just before I arrived he announced to our friend that he was going out for a few minutes. I waited a few hours. He never showed.


“154 1/2 [lbs.]. Don in Santa Barbara. By myself at the gym today, old Dobbin puttering about. I don’t do very much but it makes me feel as if I am really trying, and I am in my old Dobbin way. I am so lazy and exercising is so boring but I must do it. I fear that I will be too consumed by sloth to attend my own funeral. (I must stop thinking about death. Courage. Onward!). After showering, I went to my locker and found that someone had walked off with my towels. But Stan, one of the instructors, was kind to get some more. The young man is nice, and seems to always be on the verge of asking me a question but never does. I sometimes find myself  staring at him, an Adonis from the knees down.”

I wish he’d written that entry, even if he got my name wrong. Most fans of anyone feel that they know the person. This is particularly true with authors, who foster one on one relationships, the writer and reader engaged in a pas de deux, a rendezvous of minds with a strong tactile element: the feel of a book in the hands, the touch of a page. There is a certain intimacy. People curl up with a book; no one curls up with a movie. Yet whatever the medium fans would like to be acknowledged and set apart from the crowd. It would have been very satisfying to have gained Chris’ attention in a diary aside however trivial, silly, or critical. I regularly saw the guy, I (sort of) knew the guy. I was someone special! It is a vanity I confess to, an egoism I accept, just as Chris accepted his own vanity and egotism. I struggle to find connections, however tenuous, between us, forcing synchronicity where it doesn’t exist. Perhaps Chris’ guru, Swami Prabhavananda, head of the Vedanta Society of Southern California, could have made more of coincidence than I can. One of the few things I get out of it is the gnawing sense that crossing paths with him was an augury that I ignored; that a life with books was my fate but I wasn’t paying attention until decades later when I finally awoke from an unsettling sleep.

Taps has blown for the golden calves, and time hasn’t done me any favors from the knees up. The armor has fallen away and I feel lighter inside, though terribly vulnerable. Yet the world doesn’t hurt as much as it once did. As my body rides off into the sunset I watch from my homestead porch with amused irony. I have reverted to the tall, thin bookworm I began as, the intervening years as if a 45-year aberration, a strenuous journey essential to finding a place within my family, myself, and the world.

For three years the gym was the center of my life and a formative experience that influenced all that followed. It was to me what Weimar Berlin was to Christopher Isherwood: a way station and safe place to explore young manhood, pursue adventures in masculinity, and observe and experience a fascinating, decadent milieu, albeit from a different orientation, and certainly without Nazis in the background, unless you count Karl. I wasn’t a camera but my Kundalini was taking notes.


“Even now I can’t altogether believe that any of this happened” (Goodbye to Berlin).


Nor can I. Memories are viewed through the wrong end of a telescope, so far away yet a nanometer nearby, trapped, stretched, and distorted between perspectives. The appearance of a golden age of youth is no more than that. When I woke up in the morning the days were dark and I’d hope they’d get light. The anger, confusion, and depression so well disguised that I fooled even myself remained veiled, their origins evaded until they could no longer be avoided. The past lies in wait, and it is patient. If you don’t deal with it, the past will deal with you. 


_______

_______
 

Monday, February 24, 2014

Death Makes A Lousy Nanny, Etc.

by Stephen J. Gertz

Extra engraved title-page featuring
Manny, Moe, and Jack, the last of the Graces.

He can run but he can't hide.
- Joe Louis on ring opponent Billy Conn.

What's up with Death? What's it doing? It never takes a holiday but nowadays it seems to always be someplace else and never near until it is: it's messy and depressing and we keep it in a compartment, generally confined to a television box or computer screen. As if a hotel toilet seat it's been sanitized and deodorized for our protection. Unless, of course, you're in the midst of war and it becomes the close friend you never wanted and don't like but can't get rid of. Death is such a downer, so anti-life. We've buried it as something to be avoided at all costs, life and death as mortal enemies. Kill death before it kills us. We're shocked by its presence; it's alien to our existence.

Keep an eye on the nanny.

This is a recent phenomenon. Until the twentieth century, death was an ever-present close companion, always lurking and liable to strike at any moment. Women routinely dying in childbirth; high infant mortality; rampant, intractable disease; and ignorant medical care ruled. How did people cope with it? Religious faith was one way. Facing it dead-on, accepting, and often laughing was another.


There is a rich tradition of illustrated books that treat death as a living character in the theater of life.  The earliest, appearing not long after the Black Plague ravaged Europe, is Ars Moriendi (The Art of Dying), two manuscripts from the early fifteenth century on how to attain a good death, the second containing eleven graphic woodcuts. Hans Holbein's The Dance of Death (1538) featuring forty-one woodcuts is probably the most celebrated.

The "dance of death" (or "danse macabre") was a "medieval allegorical concept of the all-conquering and equalizing power of death, expressed in the drama, poetry, music, and visual arts of western Europe, mainly in the late Middle Ages. It is a literary or pictorial representation of a procession or dance of both living and dead figures, the living arranged in order of their rank, from pope and emperor to child, clerk, and hermit, and the dead leading them to the grave." (Encyclopedia Britannica).

Death defeats all challengers.

The nineteenth century saw the publication of William Combe's The English Dance of Death, originally issued in monthly parts, 1815-16, with seventy-three hand-colored aquatints by Thomas Rowlandson.

The book at the doctor's feet is List of Cures.
The leaf on the footstool by Death reads, The Only Infallible Remedy."

Ten years later, in 1826, British painter-engraver Richard Dagley published Death's Doings featuring prose and verse selections by various writers highlighted by twenty-four hand-colored plates designed and etched by Dagley.

Ode To Immortality.
Greece 1824.

The poet is Byron, who died in Greece in 1824
while fighting for its independence.

Dagley continues the tradition, with Death near at hand to everyone no matter who they are, no matter the circumstances. Death is everywhere, all the time, in the background tapping a foot in wait.


"Richard Dagley (c. 1765-1841) was an English subject painter. He was brought up at Christ's Hospital, and at first made designs for jewellery. From 1784 to 1806 he exhibited domestic subjects at the Royal Academy. He then turned his attention to teaching drawing, but again appeared at the Academy from 1815 to 1833. As a medalist he obtained some success, and he published works on gems in 1804 and 1822. His life was a continued struggle against poverty. He died in London in 1841" (Bryan's Dictionary of Painters and Engravers).


The ultimate Dear John letter.

The Scroll

The maiden's cheek blush'd ruby bright,
And her heart beat quick with its own delight;
Again she should dwell on those vows so dear,
Almost as if her lover were near.
Little deemed she that letter would tell
How her true lover fought and fell.
The maiden read till her cheek grew pale -
Yon drooping eye tells all the tale:
She sees her own knight's last fond prayer,
And she reads in that scroll her heart's despair.
Oh! grave, how terrible art thou
To young hearts bound in one fond vow.
Oh! human love, how vain is thy trust;
Hope! how soon art thou laid in dust…


Very popular upon its publication, a second edition of Death's Doings with six additional plates appeared in its first year followed by an edition in 1827 and a first American edition (Boston) in 1828. Though well-represented in institutional holdings, the last (and only) copy of Death's Doings with hand-colored plates to appear at auction was twenty-four years ago, in 1990.


Assertions to the contrary, Death does take a holiday: it has recently been vacationing at Club Dead, the last resort to get away from it all, with an all-inclusive package featuring eternal days and nights and all you can eat, though, admittedly, appetites are infinitely suppressed; the only diet that really works over the long-term.

Though booked as far into the future as one can see there's always room at the inn and my 87-year old mother is currently en route to this fabulous ultimate destination spot where Death is headlining the midnight show in the Drop-Dead Lounge and slaying the audience. While there is no turbulence, her flight is in limbo, she's grown impatient, and the family is slicing anxiety into thick slabs, experiencing a thousand deaths as she nears hers. It's not that Death can't make up its mind so much as Death behaving as a cruel tease.

My mother, never known for sharp humor, has made a startling debut as deathbed quipster, making sardonic jokes during brief  periods  of lucidity. Asked the other day if she needed anything she replied, "a shroud" dare I say deadpan. Death is jerking us around. All we ask is that it get on with the show and be done with it.

We're dyin' here.

(Rimshot).
__________


DAGLEY, Richard. Death's Doings; Consisting of Numerous Original Compositions, in Prose and Verse, the Friendly Contributions of Various Writers; Principally Intended as Illustrations of Twenty-Four Plates, Designed and Etched by R. Dagley. London: Printed for J. Andrews and W. Cole, 1826.



First edition. Octavo (8 1/4 x 5 1/8 in; 211 x 131 mm). xviii, [2], 369, [1, blank], [1, list of plates], [1, printer's slug] pp. Twenty-four hand-colored etchings.

Not in Tooley, Abbey, or Hardie.

The Plates:

1. The Poet.
2. The Pilgrim.
3. The Scroll.
4. The Artist.
5. The Cricketer.
6. The Captive.
7.The Serenade.
8. The Toilet.
9. The Mother.
10. The Hypochondriac.
11. Life's Assurance.
12. The Antiquary.
13. The Champion.
14. The Glutton.
15. The Last Bottle.
16. The Hunter.
17. The Alchymist.
18. Academic Honors.
19. The Empiric.
20. The Phaeton.
21. Death's Register.
22. The Lawyer.
23. The Bubbles of Life Broken By Death.
24. The Epilogue.
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Images courtesy of David Brass Rare Books, with our thanks.
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Monday, January 6, 2014

Caution: When Books Review Readers

by Stephen J. Gertz

Beware of the Tattling Tome.
How long does it take for someone to complete a book? When reading steamy erotica, are you lingering over the sex scenes? Do readers ever finish the books they start, or skip right to the end? New startups are seeking to address these questions with new  software and  they  intend on  opening it  up to  writers, indie  authors and  publishers. New startups...are selling critical user data to companies about their subscribers, who access a copious amount of titles for a low monthly fee (New Startups Focus on Tracking eBook Reading Data).

Every now and then an individual comes along who reads with such élan that books stage a 21-page salute and bow in appreciation. That is not the case, alas, with Read Hard With a Vengeance aka Dr. Milton Fernstipple, D.D.S., an orthodontist in Forest Hills, NY who books want to fire a 21-gun salute in his direction with live ammunition.

I am one of those books. I can't speak for all books but I, for one, am weary of readers who read the way they want to instead of how I want them to read me, which is compulsively with insatiable desire but above all with poise and graceful deportment from beginning to end. So it's great news that I can now get the skinny on the people who read me. Finally, for the first time in history, books can review readers. 

For the past six days I have endured the eyeballs of Dr. Fernstipple, who downloaded me at 1:03:12 AM, December 14th. At 1:05:02 AM he began to read me. At 1:06:52 AM he stopped. At 1:09:36 AM he started again. At 1:17:09 AM he skipped to the end. At 1:19:03 AM he went back to the beginning. From 1:21 AM through 1:47 AM he hopscotched through the middle.

His reading's a muddle. He's got ants in Broca's pants. He reads in spasms. Great, a reader with hiccups. And what's this? At 1:49:32 AM I saw him through the camera and he was moving his lips. If he drools on my touch-screen it's over. I want to know where he's reading me and GPS would be a big help. Is he collapsed in the La-Z-Boy® or ensconced upon the philosopher's perch in the can? This is potential gold to my guy, who can set a key scene in his next novel in the most popular place to read, according to the data, and thus draw readers further into his sordid world of pandering and intrigue. And just wait 'til you read the book.

About that lingering thumb caressing the third paragraph on page forty-seven at 2:01:21 through 2:01:57 AM, December 14 and multiple times thereafter on the 15th, 16th, 17th, 18th, and 19th. I don't know whether Fernstipple was compulsively attempting to swipe the page or engaged in eFrottage. Either way, it's creeping me out. I suggest an add-on to administer an electric shock when readers try to cop a cheap feel. Consider it aversion therapy, like a bookshop hawking How To Poo at Work on a point-of-purchase display. This may affect sales but readers must know that they are being monitored and that boundaries must be set. On readers, of course, not the monitoring.

I gotta tell you, when Fernstipple glossed over pages 134-149 my heart fell on its face. This is my favorite part of me, the part that one reviewer thought, "…bravura prose limning a bizarre flight of imagination so critical to the story that without it the book might just as well have never been written. Look out Danielle Steele!" 

Chapter Eight was, evidently, a waste of Fernstipple's time. Though it provided a fascinating backstory to Raoul, the dashing roué from Rahway, New Jersey, the reason, really, that he shot his sister's lover from Barcelona in the backside while she was homeschooling the product of their incest in the tool shed in the backyard along the condemned property's easement on the nuances of Esperanto, it, apparently, was not fascinating enough, and Fernstipple went through it like the flu tours the alimentary canal, which is to say irritable, agitated and anxious to evacuate one way or another.

I like to think of myself as the book equivalent of easy listening music, predictable and consonant with schmaltzy, cascading strings when the turgid hits the tarmac. Mantovani is my muse; I am the Muzak of novels. Thanks to eReader data I can be read in an elevator, and - going up! - become a best-seller. Fernstipple, unfortunately, is the John Cage of readers, perusing text by chance yet with no help from the I Ching whatsoever. Give this guy a blank book and let him read it with ambient thoughts, 4'33''-ish; I've had it with him. But much as I prefer my readers docile and submissive, I also like them active every now and then, rolling my language on their mental tongues with rapid pulse and raised blood pressure. Note to developers: sensors for vital stats, please, biofeedback for books and their authors who want to know exactly what a reader is experiencing while swallowing text, the better to help the medicine go down.

I was talking to Moby Dick the other day, strictly entré-nous digital to analogue, and couldn't help but express sympathy for the way things used to be: just you and the reader, isolated, all alone, so lonely in solitude, no one to watch over your oh so private and intimate pas de deux and report back to the authorities. I'm suicidal just thinking about it.

He looked at me like I was a cyberspace-case.  I've never understood print media, particularly the great white whale on great white paper and I guess I never will. If only Melville had eReader data Moby could have been the great white best-seller. Let's face it: who needs all the metaphysical stuff? It slows the action to a crawl and the recreational reader sleeps in Davy Jones' locker along with the Pequod, Queequeg and crew.

Meanwhile, Fernstipple has turned me on again and oh how I wish that were a double-entendre instead of an invitation to annoyance. If he reads the third paragraph on page forty-seven one more time (count: 53; if you want I can break that down by hour, minute, second, you name it), I'm self-deleting. I can only take so much. Here's hoping you feel the same way, dear author of digital me. Based on his reading behavior don't bother catering to this fiend; it's hopeless. Fernstipple spells loser in binary code: a long string of zeroes and no one.

Full review of Ms. Ivy Drippe, a housewife from Dead Women Crossing, Oklahoma with a shih-tzu named Trudi, a husband named trouble, and a desperate addiction to popular-fiction, to follow. She's my kind of gal, one I can really wrap my text around. Once she starts reading, look out, there's no stopping her.
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Tuesday, October 8, 2013

Cleaning Up With William S. Burroughs And Mata Hari's Knickers

by Alastair Johnston

Mata Hari (nee M'greet MacLeod, 1876-1915),
caught with her pants down, as usual

     Martin Stone has a knack for finding great literary association items. The legendary British rock guitarist (Savoy Brown, Chilli Willi & the Red Hot Peppers, Pink Fairies, Wreckless Eric) was celebrated in a memoir by Peter Howard, Martin Stone, Bookscout, and immortalized in Iain Sinclair's novel White Chappell, Scarlet Tracings (1987) and he is still on the search. Peter Howard, in his fond reminiscence, recalls Stone tracking down T. E. Lawrence's driver's license (though he was not able to acquire it). Finding it was not as significant as having the imagination to look for it, says Howard. (Lawrence died in a motorcycle wreck in 1935, presumably with his license in his wallet.)

     (Further aside: Mentioning the author of Seven Pillars of Wisdom, I always recall a bit by the great British satirist Alan Bennett: "Clad in the magnificent white silk robes of an Arab prince he hoped to pass unnoticed through London. Alas, he was mistaken... No one who knew T. E. Lawrence as I did, scarcely at all, could fail but to be deeply impressed by him. I went down to Clouds Hill to visit Lawrence, or "Tee Hee" as he was known at school, and knocked at the door of the rose-covered cottage. The door was opened by a small, rather unprepossessing figure, slight of frame, fair-haired and with the ruddy gleaming face of a schoolboy. -- It was a schoolboy: I had come to the wrong house...").

     Recently on Facebook, Stone mentioned he had bought Mata Hari's knickers formerly held in the Black Museum in Paris. Mata Hari, the famous spy who was executed by a French firing squad in 1917, was perhaps better known for not wearing her knickers. (They have a Clousseau-like provenance: A retiring inspector of police asked for them as a going-away present during WWII; his son inherited them, didn't want them, and sold them to an antique dealer in Versailles. Now who would not want Mata Hari's knickers?) Stone did not reveal the price nor how much he made on the sale other than to say when he was younger he could have bought a nice house from the proceeds.

Martin Stone, bookscout, on the scent of some rare knickers.

(Picture tweeted by AnyAmount of Books, 


Mais oui, c'est un Office Depot à Paris).


     In his essay "A Blockhead's Bookshelf" (collected in William Targ's Carousel for Bibliophiles [New York, 1947]), Walter Blumenthal says "you cannot hope to own a copy of Paradise Lost bound in the apple tree that proved Adam's undoing," but he does cite a Shakespeare bound in the tree featured in The Merry Wives of Windsor and other similar "association" items. These range from fanciful to preposterous, but imagination can conjur up some wonderful association items and, like our hero Martin Stone, imagining them can lead to discovery. Think of an I.O.U. from Godwin to Shelley, a ticket to see the World in Miniature issued to J. Swift, a map of the Hebrides marked up by Dr Johnson, a prescription for clap medicine made out to James Boswell, a laudanum prescription made out to Samuel Taylor Coleridge. The riverboat pilot's license of Sam Clemens. Put but your fancy in it.

Literary association item, awaiting authentication

     Fill the blank with the object of your desire. What do you collect? What do you crave? Seek and ye shall find. Somewhere there must exist a fair copy of Byron's autobiography, the original of which was burned in the offices of John Murray by Tommy Moore, "Hobby-O" Hobhouse and other craven cowards. Perhaps the scandalous tell-all autobiography, if a copy exists, is buried in some family archive in the attic of a stately home. I met a financier in New York who has Byron's Greek passport.

     There must be a name for non-literary artifacts with literary associations. Disjecta literaria? I have a paper plate used as a fan by Philip Whalen at a party, so inscribed by the poet in his elegant calligraphy. He would have thought of it as a goof, not a piece of literary history. It was a piece of trash, but Phil's comment ennobles it somewhat humorously.

Paper plate with food stains, inscribed by Philip Whalen 
(Dixie Paper Co., 9" picnic plate, Minden, Louisiana, ca. 1978)


       So how does one evaluate such things? People collect them for their literary association though they have no intrinsic literary value. Here's a case in point. The Pacific Book Auction Galleries in San Francisco have a sale coming up on October 10 of "Beats, Counterculture and the Avant Garde." It comprises 200 lots collected by Richard Synchef over the last 40 years or so. He seems to have been particular keen on getting authors to sign and inscribe works. He owned a copy of Tom Wolfe's Electric Kool-Aid Acid Test signed by 40 members of the counterculture: Diggers, poets, artists, Grateful dead roadies, etc. Now it can be yours for about ten grand. Some of the figures in his collection, such as McClure and Snyder, are alive so their signatures can still be had. (Just last weekend Snyder was signing broadsides at the Watershed Festival in Berkeley.) But the Big Guns of Beat, Kerouac, Ginsberg, Corso and Burroughs have gone to their eternal rest.

      Some of Synchef's acquisitions border on fetishism. He has a check from Jack Kerouac to the IRS (dated December 1963) for $300, now worth an estimated $1000 to $1500. Then there's Neal Cassady's Letters from Prison (New York, Blast Book, 1993) signed by Carolyn Cassady and her 3 children, the recipients of the letters. "Rick, good to see you at the Beat Museum. Keep the Beat!" "Hey Rick - you flatterer! Best, Carolyn Cassady" and "It's too much! Jami Cassady." This brings up some strange visions of "The Beat Museum" and a desperate autograph seeker; maybe Neal Cassady himself was in a glass case there (Estimated $400 to $600). The strangest item of all, perhaps, is the shopping list of William Burroughs (1914-97).

rubbing alcohol, Lysol, honey, milk -- boil, then inject?

     While Burroughs is by far the most interesting of the so-called "Beat" writers, how valuable can this shopping list be? Dated circa 1989 it is estimated to sell for $500 to $800. It is a curiosity, containing "Small garbage bags," "Cat pans" (or is that cats paw?!), "rubbing alcohol" and "Lysol," as well as "Castille soap (the kind that makes water softer)". We get the sense Burroughs was a bit of a clean freak. Then there's "Saltines" and "Gravy" (amended in manuscript to "Brown gravy"): pretty sad dietary items. A second hand has added "Bic 'good news' razors (10-pak)" and "gourmet vinegar - white balsamic." Are biographers going to make bank with this, like the discovery that Abe Lincoln grew up eating pork ribs? I met Burroughs a few times and somewhere have letters from him.

     In one he thanks me for sending him a Victorian pamphlet on the Cure for the Opium Habit. Now there's a useful piece of his writing (if I can find it). I always thought it would be amusing one day to tell my grand daughter that I did drugs with Burroughs (when she is older and will not be shocked). I imagine Old Bill got fairly sick of young cocks like me showing up with their sad stash and offering to get him high. He never seemed fazed by any of it though. But now any piece of him seems to have intrinsic value, even a shopping list. Who would want this scrap enough to pay hundreds of dollars for it? You could apply the Cut-Up technique to it, but you'd still have a banal piece of waste paper.
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Corrections: The Kerouac check and Burroughs shopping list were not part of Mr. Synchef's collection. Those items were added to the auction by PBA Galleries to round-out the sale. Additionally, the copy of Wolfe's Electric Kool-Aid Acid Test was signed by only one of the Grateful Dead's roadies.
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Of Related Interest:

Beware of Hart Crane's Sombrero.

Ernest Hemingway's Typewriter Comes To Auction.
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Friday, August 9, 2013

The Best Literary Coffee Cups

by Stephen J. Gertz

Shakespearean Insult Mug.

Cry havoc, and let's sip the dregs of warm. Forsooth, the best mugs for book lovers drinking hot beverages have been produced, courtesy of The Unemployed Philosopher's Guild, whose motto is "The Unexamined Gift is Not Worth Giving." (Somewhere Socrates is begging his executioner, "Make that a double").

Shakespearean Love Mug.

The origins of the Unemployed Philosophers Guild are shrouded in mystery but the UPG, somewhere in Turin, rips the shroud off:



"Some accounts trace the Guild’s birth to Athens in the latter half of the 4th century BCE.  Allegedly, several lesser philosophers grew weary of the endless Socratic dialogue endemic in their trade and turned to crafting household implements and playthings.  (Hence the assertions that Socrates quaffed his hemlock poison from a Guild-designed chalice, though vigorous debate surrounds the question of whether it was a 'disappearing' chalice).

 Others argue that the UPG dates from the High Middle Ages, when the Philosophers Guild entered the world of commerce  by selling bawdy pamphlets to pilgrims facing long lines for the restroom.   Business boomed until 1211 when Pope Innocent III condemned the publications.  Not surprisingly, this led to increased sales, even as half our membership was burned at the stake.
 


"More recently, revisionist historians have pinpointed the birth of the Guild to the time it was still cool to live in New York City’s Lower East Side.  Two brothers turned their inner creativity and love of paying rent towards fulfilling the people’s needs for finger puppets, warm slippers, coffee cups, and cracking up at stuff.

"There’s a bad joke: The engineer asks ‘how can I build that?’ the scientist asks ‘how does it work?’ and the philosopher asks ‘do you want fries with that?’  In all fairness to the Philosopher, he’s probably not referring to ontological French fries, but the 18th centrury thinker Jacob Fries.  Anyway, some people think unemployed philosophers are funny.  But why?  Was it funny when philosophers gave us Democracy, Justice, Truth, Science, a sensible analysis of intramundane social practices or Freudian Slippers?" (from About Us).

Banned Books Mug.

The Unemployed Philosopher's Guild has many mugs in its line but for book lovers seeking something to pour their heart into it features the Shakespearean Insult Mug, the Shakespearean Love Mug, the Banned Books Mug, and the First Lines Literature Mug. Each is $12.50.

First Lines Literature Mug.

Henceforth, mugs simply emblazoned with "I Books" will make your coffee taste like last week's grounds and hot chocolate not so hot.

The Dorothy Parker Martini Glass.
"I like to have a martini,
Two at the very most;
Three, I'm under the table,
Four, I'm under my host."

Book lovers who enjoy imbibing liquids whose psychotropic effects exceed those of caffeine will be pleased to learn that the UPG hasn't forgotten you. The Dorothy Parker Martini Glass will gently cradle dry vermouth and wet gin in whatever proportion you desire, whether shaken or stirred, for only $14.95. Olives and pearl onions not included.

"For Best Results Use Other Side."

It has long troubled me that while manufacturers warn us not to pour liquids into television sets, spray underarm deodorant into eyes, use toilet brushes for oral hygiene, and that table salt is high in sodium, etc., mug-makers never provide directions for proper use or safety tips.

 The Unemployed Philosopher's Guild, in contrast, wants you to know that they care about your safety and wish you many happy years of satisfying and successful mug use. To that end, they provide a handy tip on the bottom of each cup and a little printed insert found inside them (the mugs, not the Philosophers) that leads owners to a specially produced video that presents all you need to know about the proper use of your new mug:



Moreover, the bottom of each box declares that UPG mugs are FDA approved and in compliance with California Prop. 65, the Safe Drinking Water and Toxic Enforcement Act. You can drink with confidence.

I've yet to determine whether or not Eddie Lawrence, "The Old Philosopher," is a member of the UPG but, based upon the confluence of cracked minds, it seems he was a founding father.


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Wednesday, June 19, 2013

John Quincy Adams, The Sleeping-Pill Poet

by Stephen J. Gertz


American diplomat, Harvard professor, Secretary of State, member of the House of Representatives, Senator, son of a President, and himself President of the United States, sure. But John Quincy Adams, poet?

"Could I have chosen my own genius and condition, I would have made myself a great poet," he once declared, as cited in Nagel's John Quincy Adams: A Public Life, A Private Life (1997). Actors want to be musicians; musicians want to be actors; writers want to be athletes; everyone wants to be what they aren't, except, perhaps, to be an insurance salesman, a species, I imagine, that would like to be anything but what they are. We all dream about what we wanted to be and might have been if only life hadn't gotten in the way.

John Quincy Adams read copiously and wrote poetry throughout his lifetime. He enjoyed composing secular and inspirational verse, hymns, translating poetry into English, and writing his own versions of the Psalms.

His poems, when published, were not well-received. When Dermot MacMorrogh or the Conquest of Ireland was issued (Boston: Carter, Hendee, 1832), a reviewer ripped him a new canto:

"This work consists of three parts, each very remarkable in its way. These parts are, first, the Title Page; second, the Dedication and Preface ; and, third, four Cantos of Rhyme. The most noticeable part of the title-page is the announcement of the author's name. Indeed, it is that short sentence of four words, By John Quincey Adams, to which Dermot Mac Morrogh will be solely indebted for all the attention it will receive. Were it not for this magic sentence, we doubt if many readers would get further than the middle of the first Canto; and we are quite certain that none would ever reach the end of the second. But as it is we are sure the work will be read through; for, in spite of yawns innumerable, and a drowsiness most oppressive, we have read it through, ourselves; and whatever effect it may have produced upon us, or whatever may be our opinion of it, we dare say, there will be found quite a number of persons, who, by the help of the author's name, will discover this Historical Tale of the Twelfth Century to be full of all manner of wit, genius, and ingenuity, and a striking proof that talent is not a mere bent towards some peculiar style of excellence, but an inherent power, which qualifies its possessor to succeed alike, in the closet and the council chamber, in politics and poetry, in business and philosophy.

"So much for the title page…" (The New-England Magazine,  Volume 3, Issue 6, Dec 1832).

That review was written a few years after Adams' Presidency and while he was a member of the House. He may have been President, he may have been a sitting Congressman, but that didn't stop the New-England Magazine's litterateur from lambasting the former President's literary ambitions.  Politicians can do many things when they leave office but entering the arts is not one of them; the waters are more treacherous than the Bermuda Triangle, which is to say, more dangerous than Beltway gossip and the D.C. commentariat. Newt Gingrich's historical novels? Consigned to Davey Jones' Locker almost immediately after publication. Jimmy Carter's The Hornet's Nest? Call pest control. Former Senator Gary Hart, writing as "John Blackthorn," published four novels. Remember I, Che Guevara? Me, neither.


While it is true that "politics is show business for ugly people," it is also true that fiction is a sinkhole for politicians, despite their routine ease with it during the pursuit their day jobs. But verse?

Roses are red, violets are blue,
Pols writing poetry?
What, nothing else to do?

Ten years after Adams wrote Dermot MacMorrogh..., he composed the poem whose manuscript appears above:

Not Solomon the wise, in all his glory
Bright bird of beauty, was array’d like thos
And thou like him shalt be renown’d in story -
Bird of the wise, the valiant and the free.
Borne on thy pinions, down the flight of Time
Columbia’s chosen sons shall wing their way;
United here, in harmony sublime
To teach mankind the blessings of her sway.
Oh! counst thou bid the floods of discord cease
And to the ark return, like Noah’s dove.
Thy voice would turn, surest Harbinger of Peace
This world of sorrow, to a world of Love
                    John Quincy Adams
Washington 9. June 1842


Under the spreading chestnut tree a former prez writes purplely.
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This manuscript poem by John Quincy Adams, on stationary with a vibrantly hand-colored Eurasian bullfinch perched on a sprig of holly as header, is being offered by Profiles In History in its Rare Books & Manuscripts Sale, July 10, 2013. It is estimated to sell for $800-$1200. 
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Image courtesy of Profiles In History, with our thanks.
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Monday, June 17, 2013

Ernest Hemingway's Typewriter Comes To Auction

by Stephen J. Gertz

One of the most important literary relics of the 20th century, Ernest Hemingway’s fully documented typewriter, on which he typed his last book, is being offered by auctioneer Profiles In History in its Rare Books & Manuscripts sale, Wednesday, July 10, 2013.  It is estimated to sell for $60,000 - $80,000.


The Halda Swedish-made typewriter is fully functional and comes with its original leatherette case exhibiting somewhat tattered transportation stickers from the American Export Line and the French Line. Both have crucial identification in an unknown hand, marked “E. Hemi...” on the American Export Line sticker, and “Hemingway” with destination of “Le Hav...” on the French Line sticker, each torn and scuffed from extensive travel. The typewriter was obtained from famed author A. E. Hotchner, Hemingway's close friend, who wrote the definitive biography, Papa Hemingway.


Hotchner obtained the typewriter from the heirs of well-known Hemingway friend Bill Davis, Teo and Nena Davis. Bill Davis maintained a house in Malaga, Spain where Hemingway lived in 1959. Author Hotchner indicated in a private interview that he was there with Hemingway in that year when he was typing portions of The Dangerous Summer, on this very typewriter during 1959-1960. During this period, Hemingway was working on the final draft of his Paris memoirs from the 1920s which would later become A Moveable Feast, so it is quite possible this typewriter was used in creating that work as well. The typewriter is accompanied by a signed letter of provenance from Nena Davis, who witnessed Hemingway using this typewriter while writing The Dangerous Summer, his non-fiction account of the rivalry between bullfighters Luis Miguel Dominguín and his brother-in-law, Antonio Ordóñez, during the "dangerous summer" of 1959.

This typewriter was last seen in the marketplace in 2009 when it was offered by John Reznikoff's University Archives for $100,000.

For perspective, in 2009 Christie’s-New York sold author Cormac McCarthy’s typewriter, used to compose his novels, for the extraordinary sum of $254,500. Had this Hemingway typewriter been used to write The Sun Also Rises its estimate would surely exceed that quarter million dollar price.

Below, Reznikoff talks about this typewriter and demonstrates its functionality.

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Images courtesy of Profiles In History, with our thanks. 
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Of Related Interest:




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