Showing posts with label 19th century literature. Show all posts
Showing posts with label 19th century literature. Show all posts

Friday, January 25, 2019

Catalogue 1: Rara Eros 16th-20th centuries

by Stephen J. Gertz


Booktryst is pleased to announce Catalogue 1: Rara Eros 16th-20th centuries.

Featuring 60 items, including books and prints, it is illustrated with over 82 images, the majority in full color. The catalogue was designed by Poltroon Press in Berkeley, CA.

Within you will see many scarce and obscure books that have not been seen in decades if not longer, artist proofs, and titlepages and illustrations published for the first time outside of the books themselves.

You may view the catalogue as a double-page spread PDF (recommended) here.

If you prefer a single-page PDF you can view it here.

It pains me that given the current cultural climate I must offer a trigger warning: sexually explicit imagery (by respected artists mostly working anonymously or under pseudonym) is present within the catalogue. So, gird your loins, take a tip from Dante and "abandon all hope, ye who enter here."

A print version is available in a strictly limited edition of 50 copies only. It is 11 x 8 1/2 in. 32 pp. on 70# matte Titan white, 82 color and black and white illustrations, permabound, full color cover on 10 pt C1S/white stock with matte layflat lamination. Because of the nature of the material, its scarcity, the rigorous descriptions, informative and engaging annotations, and exceptional design, this catalogue will become collectable.

Purchase a copy of Rara Eros in print for only $55.

Thursday, September 30, 2010

Literary Action Figures to the Rescue!

by Stephen J. Gertz

"Dost thou desire a figurine of a man with sublime intellect
and sharp wit? Forsooth, thy dreams have taken shape!
'Tis a 5¼" (13.3 cm) tall, hard vinyl William Shakespeare
Action Figure with removable book and quill pen."

It's been a long, grueling day. Q: How can one take the edge off without intoxicants? A: Get in the playpen with these toys designed with the rare book lover in mind.
First Folio (in left hand) not included.
As accompaniment to the above, want to learn how to lose friends and salivate at the same time? Look no further than:
"Each set includes seven 1" (2.5 cm) tall boxes that look like miniature
Shakespeare volumes. Inside each box you'll find two fruit flavored gum
balls and an eloquent Shakespearean insult printed on the inside.
Sure to offend the intellectuals and confuse the dimwitted!"
 

"Thou art like a toad; ugly and venemous."

"You scullion! You rampallian! You fustilarian!
I'll tickle your catastrophe!"

"Thou clay-brained guts, thou knotty-pated fool,
thou whores on obscene greasy tallow-catch!"

"You starvelling, you eel-skin, you dried neat's-tongue,
you bull's-pizzle, you stock-fish."

Of course, when it comes to rapier-wit and the devastating put-down, no one cut deeper than Oscar Wilde.

"Oscar Wilde was a writer and lecturer of great accomplishment,
but he is most famous for his comedic plays, quick wit and eccentric dress.
This 5-1/4" (13.3 cm) tall, hard vinyl action figure is dressed for a party
where Wilde will quickly cut all those around him to pieces
with barbed witticisms. Removable cane included!"

The Wilde One.
Beware the removable cane!

Say hello to the G.I. Joe of 19th century English literature:

"The novels of Charles Dickens captured the essence of Victorian society
so well that the entire period is often described as Dickensian.
To this day, none of his novels have ever gone out of print in England.
This 5-1/2" (14 cm) tall, hard vinyl action figure
comes with a quill pen and a removable hat!"

What appears to be a codpiece is not. Included.
The Case of the Unintentional Codpiece is one best left to the master of literary detection himself:

"Created by Arthur Conan Doyle, Sherlock Holmes has become an icon of crime
detection and deductive reasoning. This 5-1/4" (13.3 cm) tall, hard vinyl action
figure comes with a removable magnifying glass and deerstalker hat. He even
has a pipe which fits snugly into his mouth to help him concentrate when
working on a particularly difficult case."
 Hypodermic needle and vial of .07% solution of cocaine not included.

Watson! I said magnifying glass, not tennis racket!
Jane Austen didn't get much action during her life. Time to make up for lost time with plenty of action now!

"Jane Austen was one of the greatest English novelists in history.
Despite a rather sheltered life, she was able to capture the subtleties
of human interaction so perfectly that her novels continue to be
 immensely popular to this day. This 5-1/4" (13.3 cm) tall, hard
vinyl action figure comes with a book (Pride & Prejudice) and
a writing desk with removable quill pen!" Zombies not included.
I'm hungry for zombies.
"Wreak havoc on your sister's precious diorama with this
Flesh Eating Zombie Play Set! Each set includes nine
1" (2.5 cm) to 3-1/4" (8.3 cm) tall, hard vinyl zombies,
 complete with blank stares, gaping mouths, open wounds
and missing limbs! Turn off the lights and they glow!
Fantastic undead fun for the whole family!
"
What collection of literary action figures would be complete without representation by the profession that so often leads us into literature?

"If you just can't get enough of the Dewey decimals or if you
go bananas for books, chances are you have a Librarian Action Figure.
Nancy Pearl's likeness made history as the best selling Librarian Action
Figure of all time, but the true collector needs this Deluxe Edition.
Each 5" (12.7 cm) tall, hard vinyl figure is dressed in a stylish burgundy
outfit and comes in a library diorama with a reference desk, computer,
book cart, multiple book stacks and some loose books. Press the button
on her back for the infamous 'amazing shushing action!'"
"Amazing Shushing Action" or simply "Aren't I cute"pose?
Why would adults want to own literary action figure toys, however literary their action figures into play? Ask the litterateur-analyst:
"Each 5" (12.7 cm) tall, hard vinyl action figure captures Freud
in a pensive pose, holding a distinctly phallic cigar. Put him on
your desk or nightstand to inspire you to explore the depths of
your unconscious and embrace the symbolism of your dreams."
Couch not included.
"Sometimes a cigar is just a cigar."

I'm a grown man so I'm finally throwing out my pail and shovel and moving up to these toys.

"The true object of all human life is play. Earth is a task garden; heaven is a playground."
G. K. Chesterton

"Play is the exultation of the possible"
Martin Buber

"To live is to play at the meaning of life...The upshot of this . . . is that it teaches us once and for all that childlike foolishness is the calling of mature men."
Ernest Becker - The Denial of Death

"We don't stop playing because we turn old, but turn old because we stop playing"
attributed to Satchel Paige

"Time you enjoyed wasting is not wasted time."
-T. S. Elliot

"Each day, and the living of it, has to be a conscious creation in which discipline and order are relieved with some play and pure foolishness."
- Mary Satton
__________

All  toys, quoted product text, and images from Accoutrements.
__________
__________

Tuesday, September 7, 2010

Product Placement Discovered in 19th Century British Novels


Back in the Saddle Again!
Inspiriting Action!
Feeling Better than Ever!
Neurasthenia a Bad Memory!
Men. Who Needs Them?


According to a recent article in the Wall Street Journal, Get Ready for Ads in Books, with the drop in e-reader prices, tech players entering the book retail trade, and the ever-downward pressure on book prices, e-book or otherwise, publishers, facing diminishing profits, are turning to product placement in books to bolster their sagging bottom lines.

This should not come as a shock; television, movies, and video games have been planted with product advertisements for quite some time now. It's been a veritable Victory Garden for the Mad Men of Madison Avenue.

What is little known is just how far back this practice dates. Recently, the Annenberg Center for Communication, established to cleanse  the family name of patriarch Moe Annenberg's  highly dubious activities, has been conducting a survey of nineteenth century British literature. To their surprise, they have, in the process, discovered advertising so subtly placed within classic texts that it has hitherto gone unnoticed by scholars and readers alike. Many of the ads, it has since been learned, were part of an ongoing campaign by Ogilvy & Mather, the ad agency originally established by Patrick Ogilvy and Cotton Mather in the 17th century, with offices in Edinburgh and Boston, to promote fire, brimstone, and treacle for everyday use in the home.

Below, a few examples. Read carefully. See if you can discern the advertisement so well-woven into the text as to be indivisible from it. Truly,  copywriting genius at work.


David Copperfield by Charles Dickens
Chapter Three
I Have a Change

The carrier's horse was the laziest horse in the world, I should hope, and shuffled along, with his head down, as if he liked to keep people waiting to whom the packages were directed. I fancied, indeed, that he sometimes chuckled audibly over this reflection, but the carrier said he was only troubled with a cough. If only he’d given the horse Dr. Locock’s Pulmonic Wafers. They provide perfect freedom from coughs within ten minutes and instant relief and a rapid cure of asthma and consumption, coughs, colds, and all disorders of the breath and lungs. The carrier had a way of keeping his head down, like his horse, and of drooping sleepily forward as he drove, with one of his arms on each of his knees. I say 'drove', but it struck me that the cart would have gone to Yarmouth quite as well without him, for the horse did all that; and as to conversation, he had no idea of it but whistling.


Mansfield Park by Jane Austen
Chapter Twenty-Two

Fanny, having been sent into the village on some errand by her aunt Norris, was overtaken by a heavy shower close to the Parsonage; and being descried from one of the windows endeavouring to find shelter under the branches and lingering leaves of an oak just beyond their premises, was forced, though not without some modest reluctance on her part, to come in. A civil servant she had withstood; but when Dr. Grant himself went out with an umbrella, there was nothing to be done but to be very much ashamed, and to get into the house as fast as possible. Oh, to have a W. & J. Sangster Alpaca umbrella! The superiority of Alpaca over every other material for Umbrellas being now generally acknowledged, W.&J. Sangster also always have a Stock of cheap Silk Umbrellas. The two sisters were so kind to her, and so pleasant, that Fanny might have enjoyed her visit could she have believed herself not in the way, and could she have foreseen that the weather would certainly clear at the end of the hour, and save her from the shame of having Dr. Grant's carriage and horses out to take her home, with which she was threatened.


Great Expectations by Charles Dickens
Chapter Eight

"Look at me," said Miss Havisham. "You are not afraid of a woman who has never seen the sun since you were born?"

I regret to state that I was not afraid of telling the enormous lie comprehended in the answer "No."

"Do you know what I touch here?" she said, laying her hands, one upon the other, on her left side.

"Yes, ma'am." (It made me think of the young man.)

"What do I touch?"

"Your heart."

"Broken!"

She uttered the word with an eager look, and with strong emphasis, and with a weird smile that had a kind of boast in it. Afterwards, she kept her hands there for a little while, and slowly took them away as if they were heavy.

"I am tired," said Miss Havisham. "I want diversion, and I have done with men and women. Play."

I think it will be conceded by my most disputatious reader, that she could hardly have directed an unfortunate boy to do anything in the wide world more difficult to be done under the circumstances.

"I sometimes have sick fancies," she went on, "and I have a sick fancy for my Vigor's Horse-Action Saddle. It invigorates the system by bringing all the vital organs into inspiriting action! And I haven't had any action, inspiriting or otherwise, since the sun dawned upon the day you were born. There there!"


Silas Marner by George Eliot
Chapter Two

There were no lips in Raveloe from which a word could fall that would stir Silas Marner's benumbed faith to a sense of pain. In the early ages of the world, we know, it was believed that each territory was inhabited and ruled by its own divinities, so that a man could cross the bordering heights and be out of the reach of his native gods, whose presence was confined to the streams and the groves and the hills among which he had lived from his birth. And poor Silas was vaguely conscious of something not unlike the feeling of primitive men, when they fled thus, in fear or in sullenness, from the face of an unpropitious deity. It seemed to him that the Power he had vainly trusted in among the streets and at the prayer-meetings, was very far away from this land in which he had taken refuge, where men lived in careless abundance, knowing and needing nothing of that trust, which, for him, had been turned to bitterness. The little light he possessed spread its beams so narrow, that frustrated belief was a curtain broad enough to create for him the blackness of night. Would that he had a passel of Field’s “Ozokerit Candles” for brilliant light, safety, economy and reliability to burn the Star-Lit Nights!

His first movement after the shock had been to work in his loom; and he went on with this unremittingly, never asking himself why, now he was come to Raveloe, he worked far on into the night to finish the tale of Mrs. Osgood's table-linen sooner than she expected...


Jane Eyre by Charlotte Bronte
Chapter Ten

When the typhus fever had fulfilled its mission of devastation at Lowood, it gradually disappeared from thence; but not till its virulence and the number of its victims had drawn public attention on the school. Inquiry was made into the origin of the scourge, and by degrees various facts came out which excited public indignation in a high degree. The unhealthy nature of the site; the quantity and quality of the children's food; the brackish, fetid water used in its preparation; the pupils' wretched clothing and accommodations--all these things were discovered, and the discovery produced a result mortifying to Mr. Brocklehurst, but beneficial to the institution: Frampton’s Pill of Health. This most excellent Family Medicine is the most effective remedy for Indigestion, Bilious and Liver Complaints, Sick Headache, Loss of appetite, Drowsiness, Giddiness, Spasms, and all Disorders of the Stomach and Bowels; and where an Aperient is required nothing an be better adapted.

Several wealthy and benevolent individuals in the county subscribed largely for the erection of a more convenient building in a better situation; new regulations were made; improvements in diet and clothing introduced; the funds of the school were entrusted to the management of a committee.


Dracula by Bram Stoker
Chapter Eleven
Dr. Seward’s Diary

Without an instant's notice he made straight at me. He had a dinner knife in his hand, and as I saw he was dangerous, I tried to keep the table between us. He was too quick and too strong for me, however, for before I could get my balance he had struck at me and cut my left wrist rather severely.

Before he could strike again, however, I got in my right hand and he was sprawling on his back on the floor. My wrist bled freely, and quite a little pool trickled on to the carpet. I saw that my friend was not intent on further effort, and occupied myself binding up my wrist, keeping a wary eye on the prostrate figure all the time. When the attendants rushed in, and we turned our attention to him, his employment positively sickened me. He was lying on his belly on the floor licking up, like a dog, the blood which had fallen from my wounded wrist. He was easily secured, and to my surprise, went with the attendants quite placidly, simply repeating over and over again, "The blood is the life! The blood is the life!"

Yes, indeed, For the Blood is the Life - Clarke’s World Famed Blood Mixture is warranted to cleanse the blood from all impurities, from whatever cause arising. For Scrofula, Scurvy, Sores of all kinds, Skin and Blood Diseases its effects are marvelous. Thousands of testimonials from all parts.

I cannot afford to lose blood just at present. I have lost too much of late for my physical good, and then the prolonged strain of Lucy's illness and its horrible phases is telling on me. I am over excited and weary, and I need rest, rest, rest. Happily Van Helsing has not summoned me, so I need not forego my sleep. Tonight I could not well do without it. If only I had some of Dr. J. Collis Browne’s Chlorodyne, the Original and Only Genuine. If you wish to obtain quiet refreshing sleep, free from headache, relief from pain and anguish, to calm and assuage the weary achings of protracted disease, invigorate the nervous media, and regulate the circulating systems of the body, you will provide yourself with that marvelous remedy discovered by Dr. J. COLLIS BROWNE (late Army Medical Staff), to which he gave the name CHLORODYNE, And which is admitted by the Profession to be the most wonderful and valuable remedy ever discovered.


Vanity Fair 
by William Makepeace Thackeray
Chapter Twenty

The idea of hitting his enemy Osborne such a blow soothed, perhaps, the old gentleman: and, their colloquy presently ending, he and Dobbin parted pretty good friends.

“My sisters say she has diamonds as big as pigeons’ eggs,” George said, laughing. “How they must set off her complexion! Surely she avails herself of Madame A.T. Rowley's Toilet Mask (or Face Gloves), a natural beautifier for bleaching and preserving the skin and removing complexional imperfections. It is soft and flexible in form, and can be worn without discomfort or inconvenience. A perfect illumination it must be when her jewels are on her neck. Her jet-black hair is as curly as Sambo’s. I dare say she wore a nose ring when she went to court; and with a plume of feathers in her top-knot she would look a perfect Belle Sauvage.”
• • •


Miss Belle Sauvage, "The Woman in the Toilet Mask"
 __________

All products were real; the text for the advertisements copied verbatim.
__________
__________

Monday, May 24, 2010

The First James Bond And The Invisible Spy


Two novels. Two spies. One spy’s visible, the other’s not. One is in service to George Washington, the other in service to snooping on the social set during the reign of George II. One is the first novel to wholly concern itself with espionage, the other is one of the last novels by 18th century England’s most popular authoress.


The Name Is Birch. Harvey Birch.

He didn’t just write the Natty Bumppo Leatherstocking tales. The Last of the Mohicans was preceded by the first of the spy novels.

"James Fenimore Cooper’s second novel, The Spy (1821), is based on Sir Walter Scott’s Waverley series, and tells an adventure tale about the American Revolution. The protagonist is Harvey Birch, a supposed loyalist who actually is a spy for George Washington, disguised as ‘Mr Harper.’ The book brought Cooper fame and wealth, and is regarded as the first great success in American fiction" (MacKenzie, LibriVox).

"James Fenimore Cooper (1789-1851) was America's first successful novelist…his principal contribution to espionage fiction rests with The Spy which, to Cooper, seemed a particularly promising theme. While the stories of Nathan Hale, Benedict Arnold and John Andre, held sway in histories of the revolution, the premise of espionage had not yet been examined in fiction. Cooper sought to exploit this situation by, for the first time, casting a spy as the protagonist of a novel.


James Fenimore Cooper

"The Spy was a major literary gamble. Prior to Cooper, writers, philosophers, the military, and people in general, although they certainly knew otherwise, simply chose not to admit that spies existed or that they were in any way beneficial to the aims of 'great nations.' In their minds, the spy and his activities were dangerous, morally tarnished, and prone to scandal, illegality, or both. As a result, until publication of The Spy, espionage remained a political nether region and an unsavory arena in which to develop heroes, fictional or otherwise. Thieves, yes; murderers, certainly; but spies, be they heroes or villains, were considered well outside the political constraints of civilized society and its literature.

"As the first novelist to explore the theme of espionage, Cooper had no examples and instead relied on the conventions of other genres - primarily the romantic historical novels of Sir Walter Scott - to convey the dishonesty, deception and covert manipulation central to espionage activities...

"...To salvage the notion of the spy's nobility, near the end of the novel Cooper employs none other than George Washington - the symbolic "Father of the American Revolution" - to sum up the fate of the spy when he personally tells Birch: 'There are many motives which might govern me, that to you are unknown. Our situations are different; I am known as the leader of armies - but you must descend into the grave with the reputation of a foe to your native land. Remember that the veil which conceals your true character cannot be raised in years - perhaps never'" (p. 398).


The Spy. in contemporary binding, in modern box.

"Herein lies perhaps the most singular of Cooper's accomplishments in The Spy. With Washington's words, Cooper defined the fundamental premise that even today continues to run though espionage novels: the ambiguity of a neutral ground wherein secret men do secret things. Secondly, and notwithstanding the well entrenched social diagram of his time - one that considered spies to be liars, traitors, thieves or even worse - Cooper's fictional context shifted public opinion toward viewing espionage as a patriotic duty, and seeing the spy in an entirely new light: the unsung hero." (Woods, Revolution and Literature: Cooper's The Spy Revisited).

"On its publication …The Spy was most cordially received in America; its sales quickly outstripped all former records, and its popularity was later enhanced by its successful dramatization. Its reception in England was equally enthusiastic. There they linked his name with [Washington] Irving's, and the two writers came to be thought of as promising pioneers in American authorship" (From the Introduction to the 1911 edition).


The Invisible Spy (1755). Volume two of four.

Now You See Her, Now You Don’t

If you have a burning curiosity about what goes on behind the closed doors of society, it helps to have a old friend descended from the Magi of the Chaldeans who is on death’s door and anxious to bequeath to you something from his Cabinet of Curiosities.

The Invisible Spy (1755), written under the pseudonym “Explorabilus,” was one of Eliza Haywood's (1693-1756) last novels, appearing one year before her death, after earlier in the decade turning away from writing the sort of scandalous novels that had made her reputation, i.e. The Secret History of the Present Intrigues of the Court of Caramania (1727), a transgressive roman á clef that tore the royal bedsheets off of of George II's bedstead, and earned a line of scorn from Alexander Pope in The Dunciad.  
The Invisible Spy (1755), four volumes in contemporary binding.

"By this period of her career, Haywood was claiming to be a reformed character and, in the guise of her authorial persona, admitted in the opening installment of The Female Spectator, that 'My Life, for some Years, was a continued Round of what I then called Pleasure, and my whole Time engross'd by a Hurry of promiscuous Diversions'" (Ruth Facer, Eliza Haywood, Chawton House Library). 

Yet Haywood did not become a prig. In The Invisible Spy, her moral stance is, at best, ambiguous: A woman acquires an Invisibility Belt “Which, fastened around the body, next to the skin, no sooner becomes warm than it renders the party invisible to all human eyes.” She uses it to spy upon the social and political scene, and expose secrets. This is spying in an era when espionage of any nature was considered "morally tarnished." To do so upon the private affairs of persons, rather than nations, was just as ignoble and disgraceful, discretion and privacy a virtue, secrets, as always, dear.

Eliza Haywood enjoyed her role as spy and teller of secrets. Though she may have mellowed in later life, she didn't abandon her pleasure. The Secret History...Court of Caramania and The Invisible Spy are big and little sister.

The Invisible Spy, as all of Haywood’s novels, was very popular; in its first year of publication editions out of Dublin and Edinburgh were issued, and four subsequent editions were published, the last in 1788.

Eliza Fowler Haywood

Eliza Haywood dominated the contemporary British market for amorous fiction. Haywood (née Elizabeth Fowler) was an English writer, actress and publisher. Since the 1980s, Eliza Haywood’s literary works have been gaining in recognition and interest. Described as “prolific even by the standards of a prolific age” (Blouch, Christine. Introduction to Eliza Haywood and the Romance of Obscurity. Studies in English Literature 1500-1900 no. 31 (1991): 535-551.), Haywood wrote and published over seventy works during her lifetime including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood is a significant figure in the 18th century as one of the important founders of the novel in English.

•••

Two spies. One of serious intent in war., and noble. The other lightly serious and disreputable at war with social and political hypocrisies. Both inhabit an ambiguous moral landscape, a literary no man’s land that would become a standard in 20th century fiction as moral certainties broke down under the weight of Verdun and the Somme, Holocaust, Hiroshima, the democratization of information distributed on a mass scale, and the disillusionment with politics and politicians. Black and white turned shades of gray and, despite continuing efforts to turn the color wheel backward, they remain so. As such, these novels, each in their fashion, point toward the modern existential dilemma in the age of Facebook  and the digital world at large: What is the morality of  privacy and secrecy? What can we reveal? What can we conceal? How much can we give away without losing ourselves? How much can we hold back without getting lost in our selves? It's spy vs. spy in the Cloud and we're all guilty.
 __________

[COOPER, James Fenimore].
The Spy: A Tale of the Neutral Ground by the Author of "Precaution." New York: Wiley & Halsted, 1821. First edition. Two twelvemo volumes (7 4 1/4 in; 178 x 108 mm). xii, 251. [1, blank]; 286, [2. blank] pp. BAL 3826. Spiller & Blackburn 2.

[HAYWOOD, Eliza]. The Invisible Spy by Exploralibus. London: Printed for T. Gardener at Cowley's Head..., 1755. First edition. Four twelvemo volumes. (6 5/8 x 3 3/4 in; 168 x 95 mm). iv, 287, [1, adv.]; iv, 312; iv, 312 pp ((p. 158, v.1, and p. 223, v.2 incorrectly numbered 358 and 123 respectively). Woodcut vignette to title pages, woodcut head- tailpieces, initials. Spedding Ab.69.1. Whicher 32. ESTC T142450.
__________

Spy vs Spy image by Antonio Prohías, for MAD magazine, and is courtesy of Alfred E. Neuman, with our thanks.
__________

 
Subscribe to BOOKTRYST by Email